For The Broke and the Bookish’s Top Ten Tuesday:
September 5: Ten Books I Struggled to Get Into But Ended Up Being Worth the Effort
These are all books that I considered putting down at one point (though in several chases they were assigned for school, but if they hadn’t been I may have considered it!) but I ended up being glad that I didn’t.
1. Crime and Punishment by Fyodor Dostoyevsky- This was a book that I read with my AP Lit class in high school. I read it again in a 19th Century Novel class in college. It’s not easy going because a lot of what occurs takes place in the mind of Raskolnikov, the main character. Raskolnikov is an impoverished ex student living in St. Petersberg. He believes that there are some people who are a drain on society, who take advantage of the little guys, and who the world is ultimately better without. Surely we’d all be better off if these people would be put to death…. After a lot of deliberation, he kills Alyona Ivanovna, a greedy pawnbroker. In the process he also ends up killing her sister, Lizaveta, who happened to witness the crime. Once he makes his escape, Raskolnikov can’t get a moment’s peace. He worries obsessively over the details of the murder. Raskolnikov isn’t what you’d call psychologically sound. So spending a lot of time in his head can get confusing, and occasionally frustrating. But it’s worth it overall, to watch this feverish, tortured man, do the inexcusable, while truly believing it to be the best thing for society overall. It’s interesting to see him begin to realize the horror of what he’s done and wonder if redemption is possible.
2. The House of Leaves by Mark Z. Danielewski– At first it feels like there’s too much happening here. We begin with the story of Johnny Truant, a tattoo artist who confesses to being “an unreliable narrator”. He’s looking for an apartment and his friend tells him about the apartment of Zampano, a recently deceased old man. In Zampano’s apartment, Truant finds a manuscript called “The Navidson Record” which is an academic study of a documentary film, which may or may not actually exist. So we have Zampano’s study of the film, Truant’s autobiographical asides, a transcript of part of the film, interviews with people involved in “The Navidson Record” and masses of footnotes. We also get some narration from Truant’s mother through a self contained set of letters. It gets overwhelming! But as we read, we discover that there are small cues to keep the narratives straight, and that eventually they all come together to create a whole.
3. Middlemarch by George Eliot– I read this for a college class and initially it seemed like a huge chore. We had what seemed to be endless descriptions of this town. The subtitle of the book is “A Study of Provincial Life” and for the first few chapters it seemed more like an academic study than a novel. Fortunately, as time went on, we become more involved in the lives of the town people. To a large extent, the focus is on the life of Dorothea Brooks, and the career of Tertius Lydgate and how the two intersect. But significant attention is also given to the courtship of two townspeople, and one man’s disgrace. I was surprised to go from dreading reading about dry facts, to slowly becoming involved in the lives of these characters.
4. Possession by AS Byatt– Byatt says that she wrote it in response to author John Fowles’ The French Lieutenant’s Woman:
Fowles has said that the nineteenth-century narrator was assuming the omniscience of a god. I think rather the opposite is the case—this kind of fictive narrator can creep closer to the feelings and inner life of characters—as well as providing a Greek chorus—than any first-person mimicry. In ‘Possession’ I used this kind of narrator deliberately three times in the historical narrative—always to tell what the historians and biographers of my fiction never discovered, always to heighten the reader’s imaginative entry into the world of the text
The novel portrays two present day academics, Roland Mitchell and Maud Bailey, who investigate the life and relationship of two Victorian poets, Randolph Henry Ash (based on Robert Browning and Alfred, Lord Tennyson) and Christabelle LaMotte (based on Christina Rosetti). They follow a trail of clues hidden in letters and journals, to find out about the true nature of the Ash-LaMotte relationship, before rival colleagues do. The extensive diaries, poetry, and letters of the main characters are presented in the book as is the fictional poetry of Ash and LaMotte. All of this, and the academic way that Roland and Maud think, can initially make this feel dense and inapproachable. It takes some patience and getting used to.
5. A Little Life by Hana Yanagihara– This isn’t a book that hard to read because anything about the text itself is difficult. Rather it’s hard because it’s is so sad, and deals with so many difficult and taboo subjects. Four friends graduate an elite college and begin their lives in NYC. Willem is a kind hearted aspiring actor. JB is a painter of Hatian descent. Malcom is an architect from a biracial family, who still lives at home. Jude is a lawyer of unknown ethnicity. Though the narration is omniscient and we meet all the characters, the bulk of the focus falls on Jude. We’re first told of an “accident” when he was a child that wasn’t really an accident, but left him permanently disabled and in a lot of pain. Then we learn that the orphaned Jude has a tendency to cut himself. We also learn that he hates sex, and that he doesn’t believe that he deserves any of the devoted friends and family that he has. It’s some time before we learn the truth of Jude’s life before he met his friends at college. When we do learn about it, it’s more horrific than anything we imagined. Some reviewers called the book “melodrama” or even “torture porn”. But it doesn’t embrace the elements to shock the reader, but rather to access an emotional truth. When Jude finally tells a loved one the truth, this person tells him that it wasn’t his fault. He was a child. He was the victim of people who preyed on his innocence and desperation, and that none of what he experienced has made him unworthy of love. Jude struggles to believe that, and to live a good life- one that he has earned through his own hard work. He loves other people and he tries to let them love him in return. For most of us these things aren’t a struggle at all. But for Jude they are a constant battle. But there’s tremendous beauty in that effort.
6. Game of Kings by Dorothy Dunnett- Frances Crawford of Lymond is a Scottish nobleman accused of deceit, treachery, treason, rape, and murder. He’s only guilty of a few of those things. He returns to Scotland in 1547 after several years in exile for reasons that won’t be revealed for some time. His own brother has vowed to kill him. But for rather complicated reasons, Lymond, accused of treason, may be the only person who can save his country from an English invasion. I think the series is definitely worth reading (based on the first two books) but they’re not easy reads. We don’t really get inside the character’s thoughts much, so it’s often a while before we understand what’s going on and why. The main character is a brilliantly educated polygot who often makes references that I don’t get right away. So it takes some effort to get into. Another author would have told us early on what’s happening, what Lymond is accused of and what accusations were false, where he’s been for the past few years and why he’d return to Scotland. In that case, the action of the book, would be front and center. The fact that Dunnett leaves the character’s motives so unknown makes this an interesting, sometimes confusing take on the historical fiction genre.
7. The Crimson Petal and the White by Michel Faber -In 1870’s London, Sugar is a prostitute in a brothel. Like many in her profession, she longs for a better life. William Rackham is a well-to-do businessman takes Sugar on as a mistress, and she’s draws herself into his life; his mentally fragile wife, Agnes; their deceitful housekeeper Clara, their mysterious daughter Sophie…. The characters aren’t easy to classify. Is Sugar a bad woman scheming to manipulate a wealthy man and get his money? Or is she a woman who was dealt a bad had, doing what she can to make her way in a world that’s not very kind? At times the author suggests the answer to this question, but never outright answers it. But it’s not an easy read. At 922 pages it’s a long haul and we really see the ugly side of Victorian London, in a way that Dickens spared us.
8. The Magus by John Fowles– Nicholas is an Oxford grad who takes a job as a teacher at a school on a remote Greek island. Over the summer, he becomes bored, depressed and lonely. Then he meets Maurice Conchis, a wealthy recluse who lives on the island. Nicholas is gradually drawn into Conchis’ psychological games. At first he sees these games as a sort of a joke. But as they grow more elaborate and intense, Nicholas reaches a point where he isn’t able to tell what’s real and what isn’t. The reader can’t tell either and it gets kind of trippy. Several portions of the book have a “what the heck was that?” quality to them. But that ambiguity is also what makes it interesting.
9. East Lynne by Mrs. Henry Wood– Lady Isabel Carlyle leaves her husband an babies to elope with Frances Levison. She bears Levison’s illegitmate child before she realizes that he has no intention of marrying her. He deserts Isabel, who is then disfigured in a train accident, and her child is killed (because apparently bad things really do happen in threes!) Lady Isabel gets a job as a governess in the household of her former husband and his new wife. This allows her to be close to the children she abandoned. But the pressure of keeping up the facade becomes too much for her. I read this because I was interested in Victorian “sensation” novels. I enjoyed it, in spite of, and at times because of, its rather implausible plot. But it’s also tough going at times because of the various shifting and double identities.
10. Arcadia by Tom Stoppard– This play shifts between modern day Sidley Park and the same locations in the early 19th century. In the past, Thomasina, the daughter of the house, and Septimus Hodge, her tutor. The present day story concerns Hannah and Bernard, two academic researchers investigating a scandal caused by Lord Byron when he stayed at Sidley Park. The two story lines interweave math, physics, literature, philosophy, architecture, and philosophy. I was assigned to read this in the summer before I started college before my freshman seminar. It made me very nervous about not being smart enough for college, because I felt like a lot of it went right over my head! But when we started to go through it in class and analyze it, I realized how clever, funny, and enjoyable this really was.
Possession and Middlemarch have both been sitting on my shelf for a while now, but they’re both a bit intimidating for different reasons. Glad to hear you thought they were worth reading in the end.
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They are with it (IMO) but they’re both an effort. Not what you should pick up when you want an easy read!
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Danielewski likes to write complicated books. I enjoy them, but sometimes they make my head hurt. Have you read The Familiar?
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Not yet. I know that he wrote some follow ups to The House of Leaves as well. I have to check out more of his work at some point.
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