Is This Book For Me? Reading Outside Your Demo


The Adult Reading YA Controversy

It’s no secret that people who aren’t teens read books marketed as YA. According to a 2012 Publishers Weekly study, 55% of YA books are bought by adults. Yes, they could be buying books for their kids. But the largest group of YA buyers, 28% of those buyers are between the ages of 30 and 44. Is it possible for a thirty-something to have a teenage child? Yes. Is it likely? Not according to recent data which shows that in the US the average age of a first-time mother is 26. Around other parts of the YA buying world, it’s closer to 30. Meaning that people in the 30-44-year-old range are more likely to have a young child than a teen.

So let’s assume that adults are buying YA for themselves and reading it. Is that good? Should they be embarrassed? Opinions differ. In 2014, Ruth Graham wrote for Slate that “Adults should feel embarrassed about reading literature written for children.” Her reasoning for this opinion is ” It’s not simply that YA readers are asked to immerse themselves in a character’s emotional life—that’s the trick of so much great fiction—but that they are asked to abandon the mature insights into that perspective that they (supposedly) have acquired as adults.”  That’s a big assumption to make. Unless the author of the books writes a forward demanding readers do just that, it’s not possible to be sure that that was the intention. Do some adults read these books from the perspective of a teenager? Perhaps. Do some read it from the perspective of someone who was in that frame of mind once but isn’t any longer? That’s equally likely. I imagine that for most people it’s a combination of the two. I usually fall somewhere along that spectrum, but in different places depending on the book.

Graham also asserts that  “mature readers also find satisfaction of a more intricate kind in stories that confound and discomfit, and in reading about people with whom they can’t empathize at all” OK. Is that to say that teens can’t find satisfaction in ambiguity? Or that YA only features “likable” characters? I’d say no. Chris Lynch’s Inexcusable, for example, is told from the perspective of an accused rapist. The main character is not a textbook villain though. He doesn’t understand that what he did actually qualifies as rape. I imagine most readers of the book condemn his actions and believe that he should face consequences for them. Yet some might feel sympathy for a teenage boy, caught up in a situation he doesn’t completely understand. That doesn’t condone what he did at all. It simply complicates the reader’s feelings about what happens in the book. Different readers might close the book and have different opinions about what consequences the character should face. Or look at a more classic example. In The Outsiders, one character has a tragic ending that is framed as the lesser of two evils. The other survives and offers a vision of his life that involves making the right decision. Is this an optimistic ending? Pessimistic? It depends on which the reader feels a stronger emotional connection to.

After Graham’s article came out, a lot of YA readers and writers refuted it. In doing so many tackled that question of what “literature” is. But I am more curious right now about what categories such as “children”, “middle grade”, “YA”, and New Adult” actually mean.

Author Kate Axelrod wrote an essay about her novel, intended for adults, being marketed as YA. The Law of Loving Others is a novel about the toll that mental illness takes on a family. Because it featured a teen protagonist, most editors wanted to market it as YA. Axelrod resisted but eventually decided to sell the book to Penguin’s Razorbill imprint. The novel was eventually published in 2015 and didn’t attract much critical attention. That translated to lackluster sales. According to most readers and reviewers, the book wasn’t really a YA novel. It was an adult novel featuring teen characters. Adults who didn’t gravitate toward YA weren’t interested. Why?

And what makes something “not YA”? After all, there are many books that are successfully marketed to a YA audience that deal with dark, complicated themes including mental illness, suicide, violence, racism, drugs, and abuse. Look at the success of novels like 13 Reasons Why or The Hate U Give. These have achieved a crossover success with both adult and teen readers. Why were they able to do so, while Axelrod’s novel wasn’t? I could see JD Salinger or Harper Lee being told that The Catcher in the Rye and To Kill A Mockingbird needed to be marketed as YA, using the same logic.

Also, why wasn’t Axelrod’s novel able to be marketed as adult fiction? A lot of contemporary adult fiction features teenage protagonists. Curtis Sittenfeld’s Prep was successfully marketed to an adult audience in spite of the fact that it was a coming of age story that took place at a New England prep school. Donna Tartt is consistently referred to as a writer of adult, literary fiction. However, her debut, The Secret History was set in college, and featured characters that were students. Her follow up, The Little Friend, features a twelve-year-old protagonist, and her Pulitzer Prize winner, The Goldfinch follows the main character from the age of thirteen through his early adulthood.

What’s the takeaway? Should we ignore all of these categories completely? Would that help people find books that resonate with them, or would it simply overwhelm them? People like to classify and categorize. It serves several purposes. Without these categories, choices can be too much. Imagine walking into a bookstore that was just organized by authors name. Fiction, nonfiction, children’s books etc were all jumbled up. A lot of people might just get frustrated and walk out. These categories also help draw in readers. Someone who reads a middle-grade book that s/he just loves may be more likely to seek out other books marketed to that audience, regardless of their age.

Is Children Reading YA A Problem?


It’s also tricky when considering younger readers because not all content is appropriate for children of all ages. Childhood is a period of significant growth and development. The changes that one undergoes between the ages of 8 and 18 are enormous, whereas someone who is 50 may still be much the same ten years later. As a result it’s hard to tell what’s appropriate for whom.

Even within YA, there is a lot of variation. Traditionally, YA is aimed at a 13-18-year-old readership. While an 18-year-old might be ready for something like Judy Blume’s Forever, it might not be appropriate for every 13 year old. Having a single category that covers an age range in which a lot of maturing happens is tricky.

Or look at Middle Grade which is aimed at an 8-12-year-old readership. An 8-year-old might be a bit young for some darker/scarier MG books like Harry Potter and the Deathly Hallows or The Girl Who Could Fly,  but a 12-year-old might find that same content exciting, suspenseful and compelling.

There’s no easy way for parents and educators to know if a certain book is appropriate for a certain child. Especially since no two children are alike. One 12 year old might be ready for YA while another one might be comfortably reading MG. For that reason, I think it’s essential that parents and teachers know their children and have at least some familiarity with the books in question.

Do you agree? Disagree? Do you like reading books that are “for” a demographic into which you don’t fit?


9 thoughts on “Is This Book For Me? Reading Outside Your Demo

  1. OMG that Slate article is the bane of my existence. I had to read it for my literary theory class last year and it was infuriating. Personally, I feel like categories like “children’s lit,” “middle grade,” and “YA” are just that– categories for marketing purposes. I think it’s completely okay to read outside your demographic!

    Awesome post! 🙂

    Liked by 1 person

    • Thanks! I agree there’s nothing wrong with adults reading whatever they want. I think it gets more complicated when you’re talking about kids, because some content isn’t necessarily appropriate for where a child is developmentally.

      Liked by 1 person

  2. Really interesting post! I do agree that the lines between adult and young adult are increasingly blurring and I can see why this would be something that makes it more difficult for educators and parents to find the age appropriate books for their children. But on the side of whether adults should read young adult… well people should mind their own business. I read a mixture of adult and young adult when I was younger and I do the same now (though the percentage has shifted). I think it’s really upto the individual (and I’ll never understand why people try to dictate taste)

    Liked by 1 person

    • Agreed. Adults should be able to read whatever they want to read, without being embarrassed or ashamed of it. As tween I read some YA books and some adult books. Now I read mostly adult books but I do venture to YA and even MG on occasion. The only cause for concern that I can see is that not all books are appropriate for children of all ages, even within categories like YA and MG. Can that result in a kid reading something they’re not ready for? Yes, if parents/teachers/librarians aren’t aware.

      Liked by 1 person

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  4. Really interesting post! Of course there is nothing wrong with adults reading YA books: I hate this kind of gatekeeping in communities – what other people enjoy doesn’t affect you and is therefore none of your business.

    With YA books though, I agree that maturity levels vary between the ages of the younger end of the spectrum and the older end. Of course there is no one size fits all and every child is different – one child may be able to read about violence (such as in The Hunger Games) at 13 whereas another child might not be able to until they’re 14/15.

    I don’t think it’s necessary to exclude certain topics from literature aimed at teenagers – the examples you’ve given by Jay Asher and Angie Thomas prove that – what I think is important is how the topic is handled. Is this written in terms that a teen – someone who is still developing in maturity – can understand? How explicit is the language? An implied sex scene might go over the heads of a younger reader and be crystal clear to an older reader. Similarly, a violent scene might be gorier in one child’s imagination than another’s.

    I wasn’t allowed to check out Breaking Dawn at my school library when I was around 14 without parental permission because it had a sex scene in it. I’m not a fan of the idea of putting content warnings on books because I think there’s too much room for censorship but it is an interesting dilemma: how do we ensure that children aren’t reading books they’re not ready for?

    Liked by 1 person

    • Thanks! Yeah that’s an excellent point. A lot of stuff went over my head in certain books at different points in my life. I think that if there had been a content warning, I might have paid more attention to those things. Maybe the reason they went over my head was because I wasn’t ready for them at the time. I’m sure I read a lot of things before I was ready for them. Some went way over my head and some prompted questions and thought. In both cases I think that’s ultimately good. But reading something traumatic isn’t good for anyone, and some content can be traumatizing if kids aren’t ready for it. I don’t think that there is an easy answer.


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