Loving Book Riot’s gothic horror cheat sheet. It’s wonderfully seasonal. Though I would argue that the difference between the Gothic horror and Gothic romance categories is largely artificial. Yes, there are romantic relationships in the books they classify as romance, but the relationship is not all that is in peril. Often it’s the sanity and/or life of a character. Jane Eyre focuses on personal demons just as much Frankenstein. In Rebecca, our unnamed narrator is taunted by both internal demons that threaten her sanity, and external threats to her home, her marriage and her life. The presence of a romantic relationship in the plot doesn’t keep it from being horror. This video about Netflix’s Haunting anthology series discusses the Gothic romance genre and makes an interesting point about the connections between love stories and ghost stories.
Writing letters to voters in swing states to get them to vote in the upcoming election. It’s an easy way to help, from home on your own time. I’m sooo nervous about this election, but I want to do what I can to help! I encourage anyone who can to join in. If writing letters isn’t your jam, and you’re more of a phone person, go here. If you prefer to do something to make sure that voters are able to vote, check this out. This year’s election is too important for anyone to sit out!
My book club has been meeting weekly via zoom, and it’s wonderful. We each read a book based on a theme and go around and share what we read, and what we thought about it. It’s a way to be social but still COVID safe.
Loving this guest post from Gypsy Thornton at Carterhaugh School on how fairy tales can help us through this crazy time. Fairy tales offer us strategies for harnessing our strength and fighting the odds. Often characters in fairy tales are abused, voiceless, powerless, or disenfranchised in some way. But they don’t stay that way. From Cinderella, to Red Riding Hood, to Snow White and Rose Red, to the Goose Girl, fairy tales teach us to be brave. They teach us that no act of kindness, however small, is wasted. They teach us to fight back.
Watching waaay too much TV since March. I think it’s partially just that there’s less to do that’s COVID safe outside the house, but it’s also due to the fact that it’s an escape from some of the terrible stuff that’s been going on in the real word. I feel guilty taking that escape sometimes, but my sanity might not survive if I didn’t. Here’s a rundown of what I’ve watched.
Cursed- I would say that this is a very imperfect show that’s worth watching in spite of its faults. It’s based on the graphic novel of the name (which I haven’t read) by Frank Miller and Tom Wheeler. It actually recalls those roots with animation in the opening and some transitions between scenes. I thought that was a nice touch, but I wished they’d done more with it from a storytelling perspective. The storytelling is messy. The show can’t quite decide whether it wants to be a Game of Thrones style political fantasy, or a feminist coming of age tale, or a teen romantic fantasy, so it bounces back and forth among the options without fully committing to any one. But it’s worth watching in spite of it’s faults.
Ratched– I first took note of this show because I always had a bit of sympathy for Nurse Ratched in One Flew Over The Cuckoo’s Nest. Yes, I was aware that she was supposed to represent all that is impersonal and dehumanizing in the medical and psychiatric establishments. But she was also a woman who was responsible for a ward full of psychologically vulnerable men who need order and constancy. Having someone in that ward, constantly upsetting that, creates instability for the very people she’s responsible for protecting. So I wasn’t happy that the first trailer portrayed her a villain. But the show doesn’t make a villain exactly- not that she’s a hero either. Actually it has little to do with Cuckoo’s Nest at all. It tells a story that’s independent of that, and really just uses the character name and a timeframe that would make it a prequel (so far at least). There’s some interesting, dramatically compelling stuff in there. Unfortunately there are also entire characters and subplots that just felt thrown in for the sake of being shocking and unpleasant. So while there was a lot to like about this (great performances, stunning visuals, compelling character) there’s also a lot that would keep me from recommending it wholeheartedly.
Lucifer– I’m currently watching this in between other things. I’ve about 1/4 of the way through the third season, so no spoilers please! I’m enjoying the characters and the dynamics. In small doses it’s smart, fun and engaging. In larger doses it starts to feel a bit repetitive, but that’s why I’m spreading it out as I watch other things.
Emily in Paris– I wanted to like this. I wanted this to be a fun, escapist, fantasy. But it didn’t land. I found it vapid and insipid. The main character wandered around Paris (speaking no French), and imposing her point of view on everyone she met. I finished it for the sake of completion, but I didn’t really like it.
Enola Holmes– This is actually a film, not a series, but I’m including it because I really enjoyed it. Plus, I could see it becoming a series of films based on the novels of Nancy Springer. It’s really no surprise that I enjoyed this, because it’s right up my ally. A feminist, YA adaptation based on Sherlock Holmes stories, set in Victoria, England. It pretty much ticks all my boxes! It’s not perfect by any means, but it doesn’t really try to be. It’s fun. It’s a historical mystery adventure with a bit of humor thrown in. My one question when watching it, was “why is absolutely everyone in this film ridiculously good looking?” Yes, I know it’s a film and they tend to cast attractive people. But even side characters who could have been average/normal looking were absurdly attractive here. It was almost like it was an AU Victorian England in which only beautiful people were allowed.