- Really enjoying Amazon’s Carnival Row. Has anyone else seen it? It’s a fantasy-mystery set in a sort of steampunk Victorian England called the Burgue, where humans and mythical creatures live side by side (though not without significant problems…) It’s definitely not perfect, but I really like it. It was renewed for a second season but production halted due to the pandemic. Then it resumed, then it stopped again. As of now there are five episodes for season two filmed, and Amazon plans to release those and then film the rest when they can. I’m hoping that’ll be soon!
- Also really liking Netflix’s The Chair.
- In a bit of a reading slump. For me, reading slumps don’t make me read less (nothing makes me read less!) but I enjoy it less. Probably because I’ve read several “blah” books in a row. Here’s hoping I find something good soon!
- Getting lots of ideas for posts. I don’t know why that is, but my drafts folder is bursting. So stay tuned for more.
- In the stage of editing hell where every word I write seems absolutely unpublishable and I start to wonder if I was crazy thinking that I could write another book.
- Trying to make my internet presence a little more author-y (since I’m starting to work on actually publishing Frost. Ahhhhh!). I’m looking at new templates for my website, updating information, making logos… In some ways my blog/social media presence is all over the place. I know it’s supposed to be targeted to my potential audience and I should be focusing on read alikes for my blog, and similar genres in terms of film, tv, etc. But I’m not a focused person. My interests run far and wide, and I’d rather be myself online than focus and build a business. Besides you never know what will turn up in my writing someday.
- Starting to think about getting some advance reviews for Frost. When Beautiful was published, one thing I wish I’d known is how much having advance reviews help with pre-orders and initial sales. So I definitely want to think about it for this release.
- Wondering how on earth some authors are able to write and release several books a year! (see this post for more about that) I want to get to the point where I can do one book in two years, but it takes me four years per book to write/publish at the moment. Who knows if/when I’ll get there? I keep telling myself that’s OK: writing and publishing any books is an accomplishment! But I feel like I have a lot of stories I want to tell….
Let me make one thing clear:
If you write, you are a writer.
You don’t have to be published.
You don’t have to be paid.
You can write anything, anywhere.
I believe that completely. But it’s only in the last few years that I started to feel comfortable calling myself a writer. Really, the thing that changed was the publication of Beautiful. So why, if I believe all of the above, was I uncomfortable calling myself a writer before I’d published a book?
I think the reason my have something to do with how other people respond. Usually the first question that someone asks when you say you’re a writer, is “What do you write?” (or “What have you written?”)
I could have answered that before I published my book. I could have pointed to short fiction and articles in various publications, as well as the novels and novel fragments sitting on my computer while I tried to figure out what to do with them. But I didn’t feel comfortable answering that question until I was able to point to a book (or a link to a book) and say “that.”
My standards for myself have always been different from what I expect of other people. I’m harder on myself, and I demand more of myself. I think that’s probably fairly common. So while my criteria for other people is “you have to write to be a writer,” my criteria for myself was “you have to write and publish a novel to call yourself a writer.” Is it fair? Perhaps not. Is it hypocrical? Maybe. But it’s what made me comfortable.
Once I managed to call myself a writer though, I was surprised to find another mountain behind it. I’m still struggling to call myself a “published writer.”
Yes, I have a book out. It’s available to purchase. I’ve held a physical copy in my hands. The ebook is on amazon. But there are still a lot of prejudices about self publishing vs. traditional publishing. There’s also a lot of incorrect information. Note: I’ve addressed some of this in the past here. I see traditional publishing and self publishing as different means, to the same end- a published book.
But in spite of that, the words “published author” have a glamorous connotation. I picture book tours, hotels, signings and release parties. I think TV and film rights. In other words, I picture the complete opposite of my daily life! So I’m still trying to reconcile the difference in my head between being a “published author,” and the glamorous, high flying image, that I think depicts very few real-life authors, whether they’re self published or traditionally published.
As of right now, I’m calling myself a “published author” even though it does make me uncomfortable.
Because I know that the image that I have of the glitzy, beguiling author is completely fictional.
Because I know that self publishing is just as valid as traditional publishing.
Because I probably shouldn’t have waited as long as I did to call myself a “writer,” and I don’t want to make the same mistake with “published author.”
- Yes, I’ve been fully vaccinated! Yay! But still a bit anxious about returning to “normal” life, minus the masks and social distancing. It’s really amazing what you can get used to!
- A bit conflicted about Sanditon being brought back. While I enjoyed season one of the show, the fact that Theo James won’t be returning takes it even further from Jane Austen. I was ok with it being left open ended after the first season, because Sanditon is, in fact, a novel fragment. However, Jane Austen wrote happy endings as a matter of personal policy, so it’s fair to say that Sanditon was intended to have one. While Theo James says in his statement that he likes the “broken fairy-tale,” Austen didn’t, saying of her novels: “Let other pens dwell on guilt and misery. I quit such odious subjects as soon as I can, impatient to restore everybody not greatly in fault themselves to tolerable comfort, and to have done with all the rest.”
- Speaking of Jane Austen, I’ve recently stated reading Not Just Jane: Rediscovering Seven Amazing Women Writers Who Transformed British Literature by Shelly DeWees. It’s interesting so far, but I was turned off by DeWees’ claim in the introduction that the reason that the work of Jane Austen, Charlotte Bronte and Emily Bronte are so popular, while other female writers have been forgotten, is that they paint a “pretty” picture of a sort of romantic idealized English lifestyle. That’s true of Austen to an extent, but she does much more than that. She’s also a satirist, and a social critic. This book gets into some of the social and political implications of her work. Charlotte Bronte also engaged in social criticism including commentary on the position of women in a patriarchal society. And Emily Bronte’s work isn’t pretty or romantic in the least! On the contrary it’s very dark and subversive. It can be downright “ugly” at times! I think the aim of the book, to look at the lives and work of several lesser know female writers is worthwhile, but that’s not because Austen or the Brontës lack depth.
- Reading a lot of fantasy in May for #WyrdandWonder’s Challenge. Check out some of my posts here:
- Really loving author Katherine Harbour’s blog. Harbour wrote the Night and Nothing trilogy, which I read and enjoyed a few years ago. I look forward to more of her work. Her blog is sort of a treasure trove of book recommendations (with some nice hidden gems!) and writing tips.
- Enjoying the Britcom Miranda. I’ve blogged about my love of sitcoms before, but this one isn’t my usual style. But it’s really funny nonetheless, and is great comfort viewing. “Such fun!” Supposedly there’s an American version called Call Me Kat. I haven’t seen that one yet, but I’ll check it out at some point. I’m a bit skeptical though. For every one American version of a British TV show that translates well, there are about five that are just horrible!
- Through an edit and several rounds of beta reading for Frost. I found this point in the process difficult with Beautiful too: how to tell when it’s “done?” And how to get from the “done writing” point to the “it’s a book!” point? Like is my next step a copy edit? Proofread? I thought that with my second book I’d know how to do this more, but it still seems like I’m sort of feeling my way through.
- Reading more short fiction that usual, in both novella and short story format. I suppose that’s because I’m more interested in short fiction for my own writing, but I’m still in the process of working out how it’s done. It’s very different that a novel which develops over time. But most of my novels (as if I’ve written so many! We’re talking 2 out of 3 here!) have started as short stories and gradually expanded. I think what I’m trying to figure out is how to keep a short story a short story and make a novel a novel.
I’m trying to find some beta readers for my new book, Frost. It’s a stand alone sequel to Beautiful (you don’t need to have read Beautiful to understand anything here. It follows different characters). It’s been through about 3-4 drafts and one edit at this point, and I’d like a better idea of what it needs next.
In the past, I’ve found betas in this goodreads group and on twitter, but I’m not having any luck this time around. Does anyone else know where beta readers can be found? Also if anyone wants to beta read it, please let me know!
This is just a quickie:
I hope that everyone celebrating Thanksgiving had a happy, safe, and healthy holiday.
I was thankful to have been included in Portergirl’s list of The Best Indie Authors You’ve Never Heard Of! True to the title, I’ve never heard of the other authors in the post, but I’ll have to check them out.
A bit of promotion for someone else too:
That’s all for now. Please be healthy and safe this holiday season!
For That Artsy Reader Girls Top Ten Tuesday:
May 19: Reasons Why I Love [insert your favorite book title, genre, author, etc. here]
I decided to go with what I know and what I write. Fairy tales!
1. They can be scary: Example: The Changeling by Victor La Valle made the familiar and beloved things seem alien and menacing.
2. They can be intricate: Example: Bitter Greens by Kate Forsyth is a Rapunzel retelling that weaves together three narrative strands, like a braid.
3. They can create new worlds: Daughter of the Forest by Juliet Marillier launches Marillier’s Sevenwaters series. It’s a six book series set partially in Ancient Ireland as well as an Otherworld based on Celtic mythology. These should be read in order. Following Daughter of the Forest, there’s Son of the Shadows and Child of the Prophecy. Then the second trilogy that makes up the series is Heir to Sevenwaters, Seer of Sevenwaters, and Flame of Sevenwaters.
4. They can give us new looks at old worlds: Example Mercedes Lackey’s Elemental Masters series is set in an alternate version of the history we know, similar to what we know in many ways with a bit of extra magic thrown in. These don’t need to be read in any order, but I recommend the early books in the series, which are much better than the later ones. My favorites are The Fire Rose, The Serpent’s Shadow, The Gates of Sleep, and Phoenix and Ashes.
5. They can be romantic: Example I found Juliet Marillier’s Beauty and the Beast retelling Heart’s Blood to be beautifully romantic in addition to having great historical and fantasy elements.
6. They can be funny: Example Sarah Pineborough’s Tales From the Kingdoms (Poison, Charm, Beauty) trilogy made me chuckle at several points. They probably work better if they’re read in order, but you can probably still understand everything that’s happening even if you don’t.
7. They can be tearjerking and heartbreaking: Example: Tender Morsels by Margo Lanagan is a beautifully written but harrowing tale (trigger warnings here) with an ending that is ultimately bittersweet but in the moment may seem more bitter to some readers. Not all stories have happily ever afters, and even in the ones that do, those happy endings don’t apply to all.
8. They can be innovative: Example: I first discovered Angela Carter’s The Bloody Chamber in a college class I took called “Innovative Contemporary Fiction.” I’m glad I read this for the first time in an academic setting because it gave me a chance to really dig into the text and notice things I would have otherwise missed. There’s a lot happening between the lines of these stories!
9. They can be beautiful: Example I found Katherine Arden’s Winternight trilogy to be beautiful in terms of story, setting, and prose. It satisfied on almost every level. These should be read in order. It’s The Bear and the Nightingale, The Girl In the Tower, andThe Winter of the Witch.
10. They’re what I do: Example: Once again it seems I’m not above promoting my own book. My first novel, Beautiful: A Tale of Beauties and Beasts is a Beauty and the Beast retelling. It’s my first published novel. I’m working on a follow up right now, that’s based on The Snow Queen.
I was very honored to be a guest on Natalie Summers’ In The Closet! We had a lot of fun talking about Beautiful, fairy tale retellings in general, fantasy, and publishing. Check it out:
Beautiful is now available for only $0.99 as a kindle countdown deal. Take advantage of this limited time price now!
BookWorks calls Beautiful “an engaging original twist on the Beauty and the Beast story.” This tale of beauties and beasts, magic and spells, romance and growth is available HERE