Top Ten Tuesday: Literary Resolutions and Hopes for 2021

For That Artsy Reader Girl’s Top Ten Tuesday:

January 12: Resolutions/Hopes for 2021 (bookish or not!)

I decided to keep this mostly bookish (or at least related to books/writing/blogging), but not be totally rigid about it. So if something non-bookish strikes me as appropriate, I’ll include it.

1. Finish writing and publish Frost. I’m about 3 drafts into it. It’s been through several beta reads and one edit so far, so I’m getting there. I’d wanted it done by now, but 2020 came with some delays and distractions, so I didn’t make as much progress as I would have liked. I hope to finish it this year, but I’m trying to be understanding of the fact that unanticipated things sometimes get in the way of writing projects.

2. Read some of the books on my 2020 TBR that I didn’t get to yet.

3. Read more nonfiction. Fiction will always be my first love, but I’m trying to expand my interests, open my mind and learn new things. I’m also becoming more interested in creative nonfiction like memoirs, essays, etc. A few on my TBR

  • Rereadings: Seventeen Writers Revisit Books They Love by Anne Fadiman et al–  I’m a big fan of Anne Fadiman, who edited this, and I love the idea. I’m curious about how and why these writers decided what to reread. I’m totally conflicted about rereadings: there’s a lot I want to reread, because I suspect I’ll read it differently now. But I also don’t want to ruin any memories of books that might not live up to them. Plus can I justify rereading when there are so many books out there I haven’t read? I have no answers to these questions, but I’m curious how these writers answer them. Plus, I always love a good book about books!

4. Write more original blog posts. I wrote about this a little bit earlier. I love lists, and tags, and readalongs, but I do want to use my original voice more often. I want this blog to be a sort of combination of original posts/musings on life and literature, a way to share my writing, and a way to get to know other readers and writers.

5. Read more poetry. I think reading poetry makes me a better writer. I’ve never been someone who dives into volumes of poetry for hours. It’s not something I write naturally, but I appreciate the way it helps me see language a bit differently. I want to get to know contemporary poets better. Some favorites are Richard Siken, Jeannine Hall Gailey, the recently departed Mary Oliver, and Ada Limon.

6. Make more of an effort to write and publish short fiction. I think most of my literary efforts are spent on novels and nonfiction. I feel like that’s where I get the most feedback. But I also think that short fiction is worth the effort, even if I don’t get the most feedback from it.

7. Remember that reading goals, bookish resolutions, etc are are for fun. If I don’t hit a target or follow through on a goal, it’s not a failure, because it’s not something that matters. It’s something that’s supposed to be fun, pure and simple.

8. Be willing to DNF books. I have a lot of trouble with this. I feel like there’s a virtue in “sticking with something” even when I’m not enjoying it. Of course I know on a rational level that that’s not the case, but it’s hard to remember and believe. I sometimes act as if there’s some sort of prize to be won for sticking through something I’m not enjoying. I won’t say that there’s nothing to be gained by pushing through initial difficulty at times. I think that’s why I have so much trouble with this. There is something to by said for making an effort! But how much of an effort is necessary?

What are your bookish and non-bookish goals for 2021?

Thankfulness and Shameless Self Promotion

This is just a quickie:

I hope that everyone celebrating Thanksgiving had a happy, safe, and healthy holiday.

I was thankful to have been included in Portergirl’s list of The Best Indie Authors You’ve Never Heard Of! True to the title, I’ve never heard of the other authors in the post, but I’ll have to check them out.

A bit of promotion for someone else too:

This year, Enchanted Quill Press released a fairytale continuation series. To celebrate, they’re doing a $500 Amazon gift card giveaway. You can enter at the link.

That’s all for now. Please be healthy and safe this holiday season!

I’ve Been (2020 Hellscape Edition)

  • Loving Book Riot’s gothic horror cheat sheet. It’s wonderfully seasonal. Though I would argue that the difference between the Gothic horror and Gothic romance categories is largely artificial. Yes, there are romantic relationships in the books they classify as romance, but the relationship is not all that is in peril. Often it’s the sanity and/or life of a character. Jane Eyre focuses on personal demons just as much Frankenstein. In Rebecca, our unnamed narrator is taunted by both internal demons that threaten her sanity, and external threats to her home, her marriage and her life. The presence of a romantic relationship in the plot doesn’t keep it from being horror. This video about Netflix’s Haunting anthology series discusses the Gothic romance genre and makes an interesting point about the connections between love stories and ghost stories.
The Haunting of Bly Manor from tvweb.com
  • Writing letters to voters in swing states to get them to vote in the upcoming election. It’s an easy way to help, from home on your own time. I’m sooo nervous about this election, but I want to do what I can to help! I encourage anyone who can to join in. If writing letters isn’t your jam, and you’re more of a phone person, go here. If you prefer to do something to make sure that voters are able to vote, check this out. This year’s election is too important for anyone to sit out!
  • My book club has been meeting weekly via zoom, and it’s wonderful. We each read a book based on a theme and go around and share what we read, and what we thought about it. It’s a way to be social but still COVID safe.
  • Loving this guest post from Gypsy Thornton at Carterhaugh School on how fairy tales can help us through this crazy time. Fairy tales offer us strategies for harnessing our strength and fighting the odds. Often characters in fairy tales are abused, voiceless, powerless, or disenfranchised in some way. But they don’t stay that way. From Cinderella, to Red Riding Hood, to Snow White and Rose Red, to the Goose Girl, fairy tales teach us to be brave. They teach us that no act of kindness, however small, is wasted. They teach us to fight back.
  • Watching waaay too much TV since March. I think it’s partially just that there’s less to do that’s COVID safe outside the house, but it’s also due to the fact that it’s an escape from some of the terrible stuff that’s been going on in the real word. I feel guilty taking that escape sometimes, but my sanity might not survive if I didn’t. Here’s a rundown of what I’ve watched.
    • Cursed- I would say that this is a very imperfect show that’s worth watching in spite of its faults. It’s based on the graphic novel of the name (which I haven’t read) by Frank Miller and Tom Wheeler. It actually recalls those roots with animation in the opening and some transitions between scenes. I thought that was a nice touch, but I wished they’d done more with it from a storytelling perspective. The storytelling is messy. The show can’t quite decide whether it wants to be a Game of Thrones style political fantasy, or a feminist coming of age tale, or a teen romantic fantasy, so it bounces back and forth among the options without fully committing to any one. But it’s worth watching in spite of it’s faults.
    • Ratched– I first took note of this show because I always had a bit of sympathy for Nurse Ratched in One Flew Over The Cuckoo’s Nest. Yes, I was aware that she was supposed to represent all that is impersonal and dehumanizing in the medical and psychiatric establishments. But she was also a woman who was responsible for a ward full of psychologically vulnerable men who need order and constancy. Having someone in that ward, constantly upsetting that, creates instability for the very people she’s responsible for protecting. So I wasn’t happy that the first trailer portrayed her a villain. But the show doesn’t make a villain exactly- not that she’s a hero either. Actually it has little to do with Cuckoo’s Nest at all. It tells a story that’s independent of that, and really just uses the character name and a timeframe that would make it a prequel (so far at least). There’s some interesting, dramatically compelling stuff in there. Unfortunately there are also entire characters and subplots that just felt thrown in for the sake of being shocking and unpleasant. So while there was a lot to like about this (great performances, stunning visuals, compelling character) there’s also a lot that would keep me from recommending it wholeheartedly.
    • Lucifer– I’m currently watching this in between other things. I’ve about 1/4 of the way through the third season, so no spoilers please! I’m enjoying the characters and the dynamics. In small doses it’s smart, fun and engaging. In larger doses it starts to feel a bit repetitive, but that’s why I’m spreading it out as I watch other things.
    • Emily in Paris– I wanted to like this. I wanted this to be a fun, escapist, fantasy. But it didn’t land. I found it vapid and insipid. The main character wandered around Paris (speaking no French), and imposing her point of view on everyone she met. I finished it for the sake of completion, but I didn’t really like it.
    • Enola Holmes– This is actually a film, not a series, but I’m including it because I really enjoyed it. Plus, I could see it becoming a series of films based on the novels of Nancy Springer. It’s really no surprise that I enjoyed this, because it’s right up my ally. A feminist, YA adaptation based on Sherlock Holmes stories, set in Victoria, England. It pretty much ticks all my boxes! It’s not perfect by any means, but it doesn’t really try to be. It’s fun. It’s a historical mystery adventure with a bit of humor thrown in. My one question when watching it, was “why is absolutely everyone in this film ridiculously good looking?” Yes, I know it’s a film and they tend to cast attractive people. But even side characters who could have been average/normal looking were absurdly attractive here. It was almost like it was an AU Victorian England in which only beautiful people were allowed.
    • The Babysitter’s Club– I posted an rather in depth review here. Basically it was way better than I expected. I want more!