Non Disney Fairy Tale Movies: The Sequel

A while ago, when our lockdown/isolation/shelter in place/quarantine began I wrote a post of some of my favorite non-Disney fairy tale films for all ages. Since we’re still spending a lot of time alone/indoors I decided to make a sequel. Like the first post, I make no guarantees that these movies are safe for the kiddos. I put a * next to the ones that I think are kid friendly and ! next to the ones that are alright for kids above 12.

Beauty and the Beast

catherine-and-vincent-beauty-and-the-beast-tv-show-31800345-500-333! Beauty and the BeastTV series from the late 1980’s. I wrote a post about this a while ago so, click the link to see it. I know that this was rebooted in the 2010’s at some point, but I wasn’t a fan of the remake. There is a lot of 80’s cheesiness to this show, but that’s part of the charm. It’s about a wealthy NY lawyer whose path crosses with that of a mysterious man-beast who lives in a secret network of tunnels below the city streets. It’s sort of a fusion of romance, fantasy and crime drama. It’s also the work of a pre- Game of Thrones George RR Martin.

penelope9! Penelope– This fantasy features a gender reversed Beauty and the Beast with a great sense of fun and fantasy. Penelope Wilhern is born under a family curse; she’s got a pig nose until she earns the love of “one of her own kind” (the reasoning for the curse is explained in the movie). So he mother tries to find ways to fix her up with blue blooded men. Enter Max, who hits it off with Penelope until he sees her face, and promptly refuses to marry her. This sets Penelope off on a journey of self discovery. The move is one of my “happy” movies: things I watch when I need a mood boost. [trailer]

7765915901c6f3c49a39522017f32300! A Werewolf Boy– In many ways this is similar to Edward Scisscorhands (which I featured on my last list). It’s about a teenage girl who moves to the country and befriends a feral boy who she finds on the grounds of her new home. But his nature may be more animal than human and the beast in him threatens to emerge. [trailer]

Bluebeard

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Image Credit: Britannica.com

Rebecca– This classic novel by Daphne DuMaurier has been adapted for the screen several times. But I think the best bet is Alfred Hitchcock’s 1940 film. Yes, plotwise there are some significant changes from the novel, but the film still follows the Bluebeard template (a woman married a widower and finds herself haunted by her predecessor) and most importantly, it gets the atmosphere of DuMaurier’s atmosphere heavy novel right. If you want some more Hitchcock films with Bluebeard echoes you can also take a look at Suspicion and Notorious,  but I find this one has the strongest ties to the original tale. [trailer]

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Image Credit: Randompicturesblog.net

The Secret Beyond The Door– Celia marries Mark while on vacation in Mexico after a whirlwind romance. When she joins him in his New York home, she learns some things about her new husband that he left out during their courtship. For example he’s been married before. He also has a son. Celia’s predecessor died under mysterious circumstances, and she start to suspect that she might be next. [trailer]

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Image Credit: Thestar.com

Gaslight-Paula and Gregory get married abroad after a whirlwind romance (notice a pattern here?!) When they return to London and settle into their new home, strange things start to happen. Paula notices missing pictures, strange footsteps at night, and gaslights that dim without being touched. Gregory claims to notice nothing. Is Paula losing her mind, or is Gregory up to something? Or both? [trailer]

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Image Credit: filmlinc.org

Dragonwyck– Bluebeard inspired movies were apparently very big in the 1940’s! This one is based on Anya Seton’s novel of the same name about a young girl whose new marriage is threatened by her husband’s streak of madness. [trailer]

Hansel and Gretel

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ImageCredit: ZekeFilm

Whoever Slew Auntie Roo? This 1972 film is sort of a campy horror classic starring Shelly Winters. It’s about Mrs. Forrest (also known as “Auntie Roo”), a lovely old lady with a Christmas tradition of inviting orphans to her mansion for a party. But Auntie Roo has a dark side, and when Katie Coombs and her brother sneak into the party they must fight to get out alive. There’s a lot of camp in this one, especially by today’s standards, but that can be fun – and funny. And once you get past it there’s actually an interesting, dark take on the fairy tale. [trailer]

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Image Credit: 366weirdmovies.com

Hansel and Gretel (2007 Korean) This is sort of a horror- fantasy that may appeal to fans of films like  Pan’s Labyrinth and The Orphanage. It’s about a traveler who gets lost in the woods. He’s rescued by a young girl and brought to her house. It’s a beautiful house, like something out of a storybook. But, as he discovers, it’s a house that hides horrible secrets, and possibly no way to escape. [trailer]

Swan Lake

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Image Credit: Film School Rejects

Black Swan- I was hesitant to include this one  because it’s based on the ballet, Swan Lake, rather than a single tale. The ballet’s plot is based on a number of folk tales. Possible sources include “The White Duck” and “The Stolen Veil” by Johann Karl August Mursaus. But it could have been inspired by a number of animal bride/swan maiden tales. Regardless I decided it was fairy tale enough to count! The plot of the film follows a dancer whose upcoming starring role in Swan Lake pushes her to the brink of madness. In some ways the “fairy tale ballerina on the edge” story is very similar to The Red Shoes, which I featured on my last list. So if you like one, check out the other. [trailer]

Fairy Tale Mash-up (Cinderella, Red Riding Hood, Rapunzel, Jack and the Beanstalk and more)

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Image Credit: Theatermania

!Into the Woods (original Broadway cast) Yes, Disney did eventually get to this one in the 2014 film. While that film has it’s good points, I (and many others) felt that it removed the musical’s teeth. And part of the point of the musical is that fairy tales have teeth. And claws. They’re dark, subversive, and not everyone makes it to happily ever after. But they (and Stephelan Sondheim’s beautiful music and brilliant lyrics) also teach us to see complexity. They show us that “witches can be right/ giants can be good/ you decide what’s right/ you decide what’s good.” Here we see a Red Riding Hood and Wolf dripping with innuendo, a Cinderella who finds married life somewhat lacking, and witch who does the wrong things for the right reasons, and the right things for the wrong reasons. It’s been said that The Uses of Enchantment: The Meaning and Importance of Fairy Tales by psychoanalyst Bruno Bettelheim was a source of inspiration. If you dig into the lyrics you can analyze them like poetry. The level of sophistication doesn’t take away from the magic of these stories at all. Rather it adds to them, because there’s a sense of danger.   We’re left with a caution “Careful the wish you make/ Wishes are children/ Careful the path they take/ Wishes come true/Not free

Other Non Fairy Tale Fantasy Films

These aren’t based on a specific tale or tales but will probably appeal to fairy tale fans nonetheless.

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Image Credit: EmpireOnline.com

! Ladyhawke– This is an 80’s film in many ways but it’s a good one. I’ve wanted to rewatch it again ever since I read this incredible analysis. It gets into the folkloric roots behind the film and I highly recommend it to anyone interested. As for the film itself, in a nutshell the film is set in the 13th century and is about two lovers who are cursed to be together and apart: she is a hawk by day and he is a human. By night, she is a human and he is a wolf. They can’t really be in one another’s presence except for a brief moment at twilight and dawn. Unless a young thief can help them break the curse. [trailer]

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Image Credit: Tor.com

! Stardust– This is based on the novel of the same name by Neil Gaiman but tonally it’s more in line with The Princess Bride (see below) and old Hollywood screwball romantic comedies like It Happened One Night. But it still works. The story is about a star who falls from the sky and is observed by several parties. One is a trio of witches who believe that eating the heart of a star will restore their youth. One is a prince who needs her power to secure the throne. One is a love-struck young lad whose beloved asks for a fallen star as a token of his esteem. But when he finds her, he finds, not a piece of celestial rock, but Yvaine, a young woman fallen from the sky with an injured leg and a sarcastic tongue. He must get her to his beloved, while keeping her from the others who want her for less noble means. [trailer]

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Image Credit: NBC News

! The Princess Bride– I expect that most of us have seen this movie and so it needs no introduction, but if you haven’t seen this yet, do so immediately. Otherwise you’ll never know the meaning of phrases like “Hello, my name is Indigo Montoya. You killed my father. Prepare to die,” “Inconceivable!” and of course “As you wish.” Since you might have more free time on your hands than usual I would also recommend reading the book (even if you’ve seen the movie). If nothing else it will help you appreciate the artful use of the frame story in the film version as a way to incorporate the annotations in the book. [trailer]

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Image Credit: rogerebert.com

Pan’s Labyrinth– This film makes me think about the purpose of fairy tales. They’re an escape, an enchantment, an education, a warning. They serve all of those purposes in this tale of a young girl in Spain circa 1944.  Ofelia’s new stepfather is sent to a remote forest to flush out rebels. He brings Ofelia and her mother. As she witnesses her stepfather’s sadism, brutality and abuse, Ofelia is drawn into Pan’s labyrinth, a magical world of legendary beings. [trailer]

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Image Credit: Parkcircus.com

The City of Lost Children– A mad scientist named Krank has lost his ability to dream. He is attempting to fight off death by stealing children’s dreams. The storyline of the film itself follows Krank’s henchman, Scratch, who kidnaps a 5 year old boy. The boy’s father, (a strongman with a travelling circus) and his 9 year old friend Miette, team up to save him. At times this movie is dark and creepy enough to make you think it’s only intended for adults. But at times it allows its heart to show enough to make you think the intended audience might be slightly younger. The result is a visually arresting, sentimental, provocative, nightmare fantasy ride. [trailer]

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Image Credit: baltimoresun.com

Beasts of the Southern Wild– Early fairy tales served less as entertainment and enchantment than as warnings. I think that’s how to take this film.  In fact, I think watching it at this point in time might be frightening for that reason. 6 year old Hushpuppy lives with her father, Wink in a remote Delta community. When Wink gets sick, nature seems to respond in kind: temperatures rise, ice caps melt, and prehistoric beasts run loose. When the rising waters threaten her community, Hushpuppy goes on a search for her long lost mother. Though this film was made in 2012, the tale of humanity’s seeming inability to live in harmony with nature taking a toll of people’s physical health, seems very apt for today’s world. [trailer]

Top Ten Tuesday: Gothic Romance

For That Artsy Reader Girl’s Top Ten Tuesday:

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February 26: Places Mentioned In Books That I’d Like to Visit (submitted by Georgia @justreadthemm)

I wasn’t really inspired by this week’s topic because I felt like I’ve done something similar in the past (see here and here) so I figured I’d do my own thing. I’m currently reading Nine Coaches Waiting By Mary Stewart and it’s reminding me how much I love a good Gothic. Think big creepy houses, a mystery waiting to be solved, a hero who is somehow tangled up in the mystery… I actually came across this little page about the commonalities of the cover designs in the genre.  Anyway, here are some of my favorites.

51k3i-j1fl-_ac_us218_1. Jane Eyre by Charlotte Bronte-  I doubt that anyone is surprised to see this one here! The British governess who goes to the mysterious Thornfield Hall, falls in love with the master, and gets caught up  the question of what’s going on in the attic is definitely sort of prototypical for the genre. But I also love it for Jane’s complexity as a character. It makes her seem very real in a way that not all Gothic heroines are.

 

41ufepph-wl-_ac_us218_2. Rebecca by Daphne DuMaurier– Like Jane Eyre, this novel seems to bookend the genre. The commonalities in terms of plot have led some to call Rebecca a retelling. I’d actually argue that a bit, but that’s not really the point here. In this case we have a young woman who marries the wealthy widower Maxim De Winter and moves with him to his imposing family home, Manderley, where Maxim’s late wife, Rebecca, still seems like the mistress of the house.

91n4fz7r-xl._ac_ul436_3. Dragonwyck by Anya Seton– When Miranda is given the chance to be the companion to the child of a distant cousin she leaps at the chance. So she goes to Dragonwyck in the Hudson Valley. Here she meets Nicholas Van Rynn, and his wife, Johanna. Miranda is  entranced with the elegant mansion, and the aristocratic master. So when Johanna dies, it just makes sense to marry Nicholas. But as time passes, Miranda comes to realize that her new husband has dark secrets that threaten everything that she holds dear.

51onssuljil._ac_ul436_4. Mistress of Mellyn by Victoria Holt- When Martha gets a job as governess to Connan TreMellyn’s young daughter she goes to live with them in their Cornish mansion. Alvean, Martha’s charge, is a notoriously difficult child, as her three previous governess’ can attest. But Martha thinks that Alvean is acting out due to the loss of her mother, Alice. She wants to help the girl. As she learns about the family (and naturally, falls in love with Connan…) she discovers that secrets from the past may have led to Alice’s death, and may threaten her future.

51xd7qx0o7l-_ac_us218_5. A Long Fatal Love Chase by Louisa May Alcott– Rosamond Vivian meets  Phillip Tempest and is pretty quickly swept off her feet. They run away together to marry, and everything is more or less perfect until Rosamond realizes that Phillip has been lying to her from the beginning. She flees from Phillip thus beginning a “love chase” that is both “long” and “fatal” (see what I did there?) This was first published in 1996, because it was too sensational for publication when it was originally written in 1866.

51hzkq6uiel-_ac_us218_6. Nine Coaches Waiting by Mary Stewart- This is my current read, so its hard to say too much about it, since I want to avoid spoilers. But I will say that I’m surprised I manged to go this long without having read it, since I like the genre and the author. Unlike many other books in the genre this takes place in a French chateau rather than an English mansion. Our heroine, Linda Martin, is a governess (quelle surprise!), for Phillipe, a young orphan. Phillipe’s guardian,  his uncle, Leon de Valmy seems charming, but for some reason the young boy is terrified of him…

51y8le-aoal-_ac_us218_7.  Silence For the Dead by Simone St. James– In 1919, Kitty Weeks, falsifies her background to obtain a nursing position at Portis House. Portis House is a remote hospital for soldiers left shell shocked after WWI. Kitty has her reasons for wanting to disappear. But when she arrives at Portis House she learns it was once a private home until the owners left abruptly. Did it have something to do with the nightmare that all the patients at Portis House seem to share? Something that’s so terrifying they won’t speak of it? Kitty’s ally is Jack Yates. He’s a war hero, and inmate, and possibly a madman.

51gkwlv5zql._ac_ul436_8. The Woman In White by Wilkie Collins– Walter Hartwright is an artist who has been engaged as a drawing master to Laura and Marian Fairlie. On his way to Limmeridge House, where the orphaned Fairlie sisters live, he encounters a mysterious woman in white who begs him for help and then disappears. When he arrives at Limmeridge House, he discovers that Laura Fairlie bears an uncanny resemblance to the mysterious woman. Walter soon falls in love with Laura who is facing an arranged marriage to Sir Percival Glyde. That marriage will bring her, Walter, and Marian into contact with Glyde’s mysterious friend Count Fosco, as well as a fortune and a lot of secrets.

51mn5td6ql._ac_ul436_9. The Shadowy Horses by Susanna Kearsley- Archaeologist Verity Grey is sent to the Scottish Borderlands because her boss is convinced that it is the resting place of the lost Ninth Roman Legion. His reasoning is based on the fact that a local boy has seen a ghostly soldier wandering the fields, and the owner of a remote manor house is convinced that his property contains the bones of the lost legion. So Verity is a bit skeptical when she arrives but she is joined in the excavation by a number of colleagues, including the handsome David… But as they investigate the Ninth Legion they learn that some secrets may be buried for a good reason…

 

Top Ten Tuesday: Best Literary Houses

The Broke and the Bookish are taking a break from their Top Ten Tuesday for the summer, but there’s no reason that I have to do the same. This week, I decided to give a shout out to some of my favorite literary houses. A great setting can be like a character, and these houses are very much a part of their respective worlds.

1. Thornfield Hall from Jane Eyre by Charlotte Bronte– A large, grand mansion on the moors, with a great library, a cute kid, a loving master, lots of servants, and something very strange happening in the attic….

The hall-door, which was half of glass, stood open; I stepped over the threshold. It was a fine autumn morning; the early sun shone serenely on embrowned groves and still green fields; advancing on to the lawn, I looked up and surveyed the front of the mansion. It was three storeys high, of proportions not vast, though considerable: a gentleman’s manor-house, not a nobleman’s seat: battlements round the top gave it a picturesque look. Its grey front stood out well from the background of a rookery…

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North Lees Hall is said to be Charlotte Bronte’s inspiration for Thornfield Hall

2. Manderley from Rebecca by Daphne DuMaurier– I consider Rebecca and Jane Eyre to be sort of literary cousins; both feature a heroine arriving at a large house full of servants and a master with Bluebeard-ish tendencies. But Manderley is in Cornwall. Our unnamed heroine marries it’s master Maxim De Winter only to discover that Manderley is haunted by the memory of Maxim’s late wife, Rebecca. A memory that is faithfully kept alive by one of the creepiest literary housekeeper’s ever.

The peace of Manderley. The quietude and the grace. Whoever lived within its walls, whatever trouble there was and strife, however much uneasiness and pain, no matter what tears were shed, what sorrows borne, the peace of Manderley could not be broken or the loveliness destroyed. The flowers that died would bloom again another year, the same birds build their nests, the same trees blossom. That old quiet moss smell would linger in the air, and the bees would come, and crickets, the herons build their nests in the deep dark woods. The butterflies would dance their merry jug across the lawns, and spiders spin foggy webs, and small startled rabbits who had no business to come trespassing poke their faces through the crowded shrubs. There would be lilac, and honeysuckle still, and the white magnolia buds unfolding slow and tight beneath the dining-room window. No one would ever hurt Manderley. It would lie always in its hollow like an enchanted thing, guarded by the woods, safe, secure, while the sea broke and ran and came again in the little shingle bays below.

3. Wuthering Heights from Wuthering Heights by Emily Bronte– The action of Wuthering Heights takes places at two houses, Wuthering Heights, and Thrushcross Grange. Thrushcross Grange is polite and civilized. Wuthering Heights embodies everything that is wild and dangerous about the moors. Most dangerous, perhaps, is Heathcliff, a character who can’t comfortably be classified as a “hero” or a “villain”.

Wuthering Heights is the name of Mr. Heathcliff’s dwelling, “wuthering” being a significant provincial adjective, descriptive of the atmospheric tumult to which its station is exposed in stormy weather. Pure, bracing ventilation they must have up there at all times, indeed. One may guess the power of the north wind blowing over the edge by the excessive slant of a few stunted firs at the end of the house, and by a range of gaunt thorns all stretching their limbs one way, as if craving alms of the sun.

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Top Withens; an abandoned farm thought to be the inspiration for Wuthering Heights.

4. Green Gables from Anne of Green Gables by LM Montgomery– Taking a break from the gothic, this pastoral house in the fictional town of Avonlea, on Prince Edward Island, is home to the plucky red headed orphan, Anne. It’s a place of learning and hard work, but also of laughter and love.

“I came to the conclusion, Marilla, that I wasn’t born for city life and that I was glad of it. It’s nice to be eating ice cream at brilliant restaurants at eleven o’clock at night once in a while; but as a regular thing I’d rather be in east gable at eleven, sound asleep, but kind of knowing even in my sleep that the stars were shining outside and the wind was blowing in the firs across the brook.”

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Green Gables as seen in the 1985 television miniseries.

5. Tara in Gone With the Wind by Margaret Mitchell– When the civil war takes southern belle, Scarlett O’Hara’s, familiar world away, she clings to her family home and plantation, Tara, with an iron grasp. Almost everything she does is to protect Tara and to keep it in her possession. Whenever she feels like all is lost, she goes to Tara.

Spring had come early that year, with warm quick rains and sudden frothing of pink peach blossoms and dogwood dappling with white stars the dark river swamp and far-off hills. Already the plowing was nearly finished, and the bloody glory of the sunset colored the fresh-cut furrows of red Georgia clay to even redder hues. The moist hungry earth, waiting upturned for the cotton seeds, showed pinkish on the sandy tops of furrows, vermilion and scarlet and maroon where shadows lay along the sides of the trenches. The whitewashed brick plantation house seemed an island set in a wild red sea, a sea of spiraling, curving, crescent billows petrified suddenly at the moment when the pink-tipped waves were breaking into surf. For here were no long, straight furrows, such as could be seen in the yellow clay fields of the flat middle Georgia country or in the lush black earth of the coastal plantations. The rolling foothill country of north Georgia was plowed in a million curves to keep the rich earth from washing down into the river bottoms.

It was a savagely red land, blood-colored after rains, brick dust in droughts, the best cotton land in the world. It was a pleasant land of white houses, peaceful plowed fields and sluggish yellow rivers, but a land of contrasts, of brightest sun glare and densest shade. The plantation clearings and miles of cotton fields smiled up to a warm sun, placid, complacent. At their edges rose the virgin forests, dark and cool even in the hottest noons, mysterious, a little sinister, the soughing pines seeming to wait with an age-old patience, to threaten with soft sighs: “Be careful! Be careful! We had you once. We can take you back again.”

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Tara, as seen the the 1939 film

6. Misselthwaite Manor from The Secret Garden by Frances Hodgsen Burnett– Yes, the garden is the main attraction for readers, but you can’t have a secret garden without a creepy old manor. Misselthwaite has over 100 rooms filled with secrets, a heartbroken master, and the hidden promise of life somewhere outdoors.

All she thought about the key was that if it was the key to the closed garden, and she could find out where the door was, she could perhaps open it and see what was inside the walls, and what had happened to the old rose-trees. […] Besides that, if she liked it she could go into it every day and shut the door behind her, and she could make up some play of her own and play it quite alone, because nobody would ever know where she was, but would think the door was still locked and the key buried in the earth. The thought of that pleased her very much.

7. Satis House in Great Expectations by Charles Dickens–  Long ago, Satis House was done up for the wedding of it’s mistress, the young Miss Havisham. Unfortunately she was left at the alter. Since then nothing has changed. The tables are still set, the rooms are still decorated. Miss Havisham has never left and can still be seen lurking around the wreckage in her wedding dress.

So unchanging was the dull old house, the yellow light in the darkened room, the faded spectre in the chair by the dressing-table glass, that I felt as if the stopping of the clocks had stopped Time in that mysterious place, and, while I and everything else outside it grew older, it stood still.

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Dickens (who lived nearby) used aspects of Restoration House in South East England, when describing Satis house.

8. Dragonwyck from Dragonwyck by Anya Seton– This lesser known novel by Anya Seton has a lot in common with Jane Eyre and Rebecca, in terms of character and plot. But Dragonwyck is a patroonship (click for more info on what that is) and that informs the mentality and motivations of one of the main characters in this book. Just how twisted can the “lord of the manor” be, and still get away with it? When his wife is awakened to the injustice of the system, she’s no longer blinded by love for her husband and the beauty of his estate.

Yes,” Nicholas replied, in a bored voice. “The name is Dutch. Dragonwyck, meaning place of the dragon. It derives from an Indian legend about a flying serpent whose eyes were fire and whose flaming breath withered the corn.” “Heavens!” With a light laugh, Miranda asked her new employer if the red men had sent forth a champion to do battle with the dragon.The patroon’s face was dark, unsmiling. “To appease him the wise men of the tribe sacrificed a pure maiden on the rocky bluff you see above you.”Miranda’s laughter died. Something in Nicholas Van Ryn’s cruel, handsome features made her imagine herself in the Indian maiden’s place.

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Dragonwyck as imagined in the 1946 film adaptation of the novel.

9.  Howards End in Howards End by EM Forester– The fate of this Hertfordshire country house represents the future of the British empire and class divides of England. The fact that it’s called Howards End should be a clue as to what the predictions are for the future.  The fate of this house is tied up in the dynamics of three families. The Schlegels are middle class, intellectual and impractical; the Wilcox’s are upper class, materialistic, and pragmatic; and the working class Basts are deprived but  hopeful.

Why did we settle that their house would be all gables and wiggles, and their garden all gamboge-coloured paths? I believe simply because we associate them with expensive hotels–Mrs. Wilcox trailing in beautiful dresses down long corridors, Mr. Wilcox bullying porters, etc. We females are that unjust.

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Preppard Cottage was used as the house in the 1992 film adaptation of Howard’s End.

10.  Villa Villekulla from Pippi Longstocking by Astrid Lindgren– This was my dream house when I was about eight years old. I think it would be most kid’s dream home. Pippi lives there with no parents, or relatives (but with a pet monkey and a horse….). The kids next door, Tommy and Annika, come over the play a lot, and the tree outside the house grows soda. What’s not to love?

“But first I must introduce you to Mr. Nilsson,” said Pippi, and the little monkey took off his cap and bowed politely.
Then they all went in through Villa Villekulla’s tumbledown garden gate, along the gravel path, bordered with old moss-covered trees–really good climbing trees they seemed to be–up to the house, and onto the porch. There stood the horse, munching oats out of a soup bowl

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This house, on the Swedish island, Gotland, was used for Villa Villakula in the 1969 film, Pippi Longstocking, and the TV series of the early 1970’s.