For That Artsy Reader Girl’s Top Ten Tuesday:
August 10: Secondary/Minor Characters Who Deserve More Love -Warning, some of these have spoilers
1. Beth in Little Women by Louisa May Alcott – Beth’s description is pretty much summed as “the sweet one who dies.” That’s what she’s remembered for. But I recently read March Sisters: On Love, Death and Little Women, in which four contemporary writers look back on the March sister that resonated with them most. Carmen Maria Machado writes about Beth, and how her illness and death take over anything else she may have been, both for her sisters and for readers. Beth was based on Alcott’s own sister, Lizzie, who also died young (though not quite as young as Beth). While Alcott seemed to remember Lizzie in much the way the March sisters do Beth, there’s historical evidence to suggested that Lizzie Alcott was more than simply someone who died tragically young. That makes me suspect that Beth may also have more going on than she’s given credit for.
2. Mercutio in Romeo and Juliet by William Shakespeare – Mercutio steals almost every scene that he’s in, in most productions and adaptations of this play. There’s plenty of LGBT speculation about his relationship with Romeo prior to the action of the play, but even leaving that aside, he’s so vivid and vibrant, witty and cynical, which makes his death even more tragic. He’s not a Montague or a Capulet. He’s simply caught up in their feud because he’s in the wrong place at the wrong time. But his death is sort of a hinge for the play. Prior to that, there was hope for a less than tragic outcome. But when he’s killed, and Romeo kills Tybalt in revenge, the seeds for the dénouement are sown.
3. Becky Thatcher in The Adventures of Tom Sawyer by Mark Twain – Huckleberry Finn got his own book. But Becky was in that cave with Tom and she’s just forgotten and dismissed as the “girlfriend character.” Surely she deserves better!
4. Jane Fairfax in Emma by Jane Austen – Emma is bright, accomplished, pretty, and rich, but she feels a sense of rivalry around Jane. She senses that Jane is an equal and in some ways a superior, and therefore she considers her a threat. That’s what makes the reader initially take notice. Of course when it comes out that Jane been secretly engaged to Frank Churchill (who’s been openly flirting with Emma…) we get the sense that there’s been more going on beneath the surface of Jane. We never really learn what it is though. Joan Aiken wrote some fan fiction speculation in Jane Fairfax but that’s as close as we’ll ever get.
5. Walter Blythe in the later books of the Anne of Green Gables books by LM Montgomery– Like Anne he’s got some literary asperations, and is admired for his ability to “talk book talk” (I love that phrase!) He’s bullied in childhood, but bright and imaginative. Oh, and doomed. He was definitely my favorite of Anne’s children.
6. Neville Longbottom and Luna Lovegood in the Harry Potter series by JK Rowling– Come on! These guys do just as much work as the main three, they get awfully close to the main action, but they’re constantly relegated to the sidelines.
7. Mary Bennet in Pride and Prejudice by Jane Austen– Kitty and Lydia are the silly ones. Jane and Lizzie are the smart ones. But what is Mary? There’s been plenty of fan fiction (just a few examples here) speculating that there’s something more to her than just the middle child. I really tried to limit myself to only one Austen character (I also think Charlotte Lucas and Mrs. Bennet deserve more love) but I found I had to do two.
8. Great Uncle Matthew from Ballet Shoes by Noel Streatfeild– He’s Sylvia’s uncle and he takes care of her following the death of her parents, but we don’t know much more than that really… He’s geologist who seems to go around the world collecting parentless babies? Surely there’s got to be more to the story than that!
9. Molly Grue from The Last Unicorn by Peter S. Beagle – Molly dreamed all her life of seeing a unicorn. When she finally does, she’s no longer young and beautiful. She tells the unicorn off for taking so long, saying “‘Where have you been…Damn you, where have you been?… Where where you twenty years ago, ten years ago? How dare you, how dare you come to me now, when I am this?‘ With a flap of her hand she summed herself up: barren face, desert eyes, and yellowing heart. ‘I wish you had never come. Why did you come now?’ The tears began to slide down the sides of her nose.” I think that sense of missed opportunity is heartbreaking. I think that the fact that Molly reacts to it with anger first is such a human thing to do, that it makes it even more heartbreaking. She deserves more love.