Top Ten Tuesday: Fictional Writers

For That Artsy Reader Girl’s Top Ten Tuesday:

December 7: Freebie

Writers and readers alike love a writer character in fiction. Here are some of my favorites:

1. Emily Starr from the Emily series by LM Montgomery – Yes, I know Anne is a writer too. But I give Emily the edge here, because it’s more a part of her than it is of Anne.

2. Jo March from Little Women by Louisa May Alcott – You didn’t really think I could make a list of fictional writers and leave her off, did you? Later in the series her writing takes a backseat to other aspects of life, but we do learn in Jo’s Boys that she never really stopped.

3. Angelica “Angel” Deverell from Angel by Elizabeth Taylor – Angel is the daughter of an Edwardian shop owner, whose shlocky best sellers make her famous. She lives almost entirely in her own imagination, which might be her downfall.

4. Paul Sheldon from Misery by Stephen King – Paul Sheldon goes from writing for a living to writing for his life. I wish I could take credit for that blurb, but I read it somewhere else. Can’t remember where. But he’s a romance author who wants to go “literary.” But when he’s held hostage by an angry fan he takes refuge in the fictional worlds he creates. That ability always resonated with me.

5. Vida Winter from The Thirteenth Tale by Diane Setterfield– Reclusive author, Vida Winter, wrote a collection of stories famous for the mystery of the missing thirteenth tale. She always kept her life a secret. But as an old woman she hires a biographer to tell the story of her life. In that way, this is sort of about two writers: Vida and her biographer, Margaret.

6. Cassandra Mortmain from I Capture the Castle by Dodie Smith – This book also features two writers. One is the narrator who tells the story, and hones her skill through her journal. The second is her father a famous writer of one novel, who now suffers from severe writers block.

7. Eva Luna from Eva Luna by Isabelle Allende – Eva Luna is a orphaned servant with a gift for storytelling. Her stories become her currency in the world. Some of them can be read in the companion book, The Stories of Eva Luna.

8. Possession by AS Byatt– Again we have more than one writer here, as two academics research two Victorian poets. The novel is made of a variety of different written forms including poetry, letters, and journal entries.

9. Edith Pope in Hotel Du Lac by Anita Brookner – Edith is a romance author whose life takes on too much drama. She stays at a hotel to get away from everything for a while. While she’s there, she writes letters to her lover describing her companions at the hotel.

10) Briony Tallis from Atonement by Ian McEwan – This starts with a thirteen year old Briony Tallis writing a play. It ends with an elderly Briony writing a novel. To say more would involve spoilers!

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Top Ten Tuesday: Books Set in A Single Location

For That Artsy Reader Girl’s Top Ten Tuesday:

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April 23: (First Ten) Books I Reviewed (These do not have to be formal reviews. A small sentence on a retailer site or Goodreads counts, too! Submitted by Rissi @ Finding Wonderland)

Since I can’t think of where to begin with that (I’ve written some form of book reviews for years!) I decided to make up my own topic: books set in a single location. While some of these have an opening and/or closing scene in another location all of them have about 70-80% of the narrative set in one space.  Some books, like Room, don’t apply because they’re only 50% in one space and then the story moves elsewhere. Others, like Jane Eyre or The Shining, are set largely in one place but important events to the story and the characters happen elsewhere, during the action of the story.

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1. Bel Canto by Ann Patchett- While there are flashbacks to other places at other times, the bulk of the action in this novel takes place while the characters are held hostage in home of the Vice President of an unnamed South American country.

51qf7-d2cl-_ac_us218_2. Flowers in the Attic by VC Andrews– About 85% of this book takes place in the attic of Foxworth Hall. About 10% takes place elsewhere in Foxworth Hall. I think only the first chapter or two takes place in another location.

51sslc2wctl-_ac_us218_3. Misery by Stephen King– This novel is set entirely (save for the epilogue) in an isolated farmhouse where the main character, novelist Paul Sheldon, is being held hostage by Annie Wilkes, a woman who rescued him from a car wreck somewhere in the Colorado Rockies.

51lz9ueudjl-_ac_us218_4. Murder on the Orient Express by Agatha Christie–  In this case all the action takes place on a train. The train itself moves (until it’s stopped by a snowdrift somewhere in Croatia) but no one gets on or off.

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5. The Haunting of Hill House by Shirley Jackson– In this case we learn things about the characters, and their lives prior to their arrival at Hill House, and their motivations for being there, but the action of the story itself takes place in the house.

51mny8nb9il-_ac_us218_6. The Ruins by Scott Smith- I’d estimate the first 20% of this book is set elsewhere in Mexico, leading up to the four protagonists arriving at the titular ruins. But from the moment they arrive there, they’re trapped.

518ejevmohl-_ac_us218_7. The Woman in the Window by AJ Finn– In this case, the protagonist, Anna Fox, is  an agoraphobic who is unable to leave her Harlem townhouse. We learn about how she developed her condition via a flashback but a few steps outside of the door is as far as we see her travel during the action of the plot.

41oieugca5l-_ac_us218_8. One Flew Over the Cuckoo’s Nest by Ken Kesey– The action of this novel is set almost entirely in a mental hospital. Once again, we learn (in some cases) how the characters ended up there, but that information is conveyed via flashback and conversation.

Does anyone have any other novels set predominately in one location?

 

 

 

Top Ten Tuesday: Best Villians

For That Artsy Reader Girl’s Top Ten Tuesday:

October 23: Villains (favorite, best, worst, lovable, creepiest, most evil, etc.)

I went with the creepiest/ most evil for this one

TRIGGER WARNING: Some of these villains do some very bad things, so in discussing them, I mention some of those. It you have triggers, be warned.

41ufepph-wl-_ac_us218_1. Mrs. Danvers in Rebecca by Daphne DuMaurier– You don’t expect a middle aged housekeeper to be a creepy villain, but Mrs. Danvers totally is. From forbidding demeanor to her pathological obsession with her employer’s late wife (the title character) she makes life a living hell for his second wife, interfering in their marriage, playing psychological games and trying to goad the second wife to suicide.

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51sslc2wctl-_ac_us218_2. Annie Wilkes in Misery by Stephen King- I think that the development of the internet makes such a villain even more plausible. I’ve seen fandoms in which a few people are only lacking the opportunity to save their favorite writer (or actor/singer/whatever) after being injured in a carwreck in an isolated, snowbound area and keep him/her prisoner for months, demanding new material according to the specifications of the individual fan. When the object of Annie’s fanning resists, things get ugly.

51xphws9jdl-_ac_us218_3. Black Jack Randall Outlander by Diana Gabaldon– There’s a common misconception that Black Jack Randall is gay. He’s not. According to the author, he’s a “bisexual sexual sadist” but I might leave off the “bisexual” because if the opportunity presented itself in an appealing way, I don’t think he’d limit himself to only men and/or women. Early  on in the book he assaults the heroine, and only circumstances keep him from raping her. Later we learn about his assault on our heroine’s sister in law which  was unsuccessful because his intended victim began to laugh (a hysterical reaction, but he took it to mean that she wasn’t suffering, so he couldn’t perform). His fixation with a male character stems from an encounter in which Randall flogged him until he was near dead, but he stills refused to give Randall the satisfaction of screaming and begging. That makes him see this character as his ultimate challenge. It’s got nothing to do with gender.

51qf7-d2cl-_ac_us218_4. Corinne Dollinganger Foxworth in Flowers in the Attic by VC Andrews– Corrine was disowned by her parents about fifteen years prior to the action of the book. When she’s widowed and in dire financial straits, with four children,  she returns to her wealthy parents home. Her mother explains the situation: her father won’t accept her back if he knows that her marriage produced children, but he’s on his deathbed. She can tell him there were no kids and he’ll write her back into his will. So the children need to stay hidden from him. Fortunately the mansion has an attic where the kids can stay. Once he’s dead, they can come out. It’ll probably only be a week or so. Corrine reluctantly agrees to this plan. But as time goes by and her father lingers on, Corinne develops a fondness for the finer things in life. The kids are really perfectly fine in the attic. And when it becomes clear that her inheritance may depend on no one ever learning of their existence, Corrine is really OK with that…

41uffqdrfll-_ac_us218_5. Kevin in We Need to Talk About Kevin by Lionel Shriver- Eva Khatchadourian is ambivalent about motherhood, even after the birth of her son, Kevin. She does most things “right.” She pays attention to him, takes care of him, is involved in his life at school. But something about him strikes her as “off.” He’s manipulative, and often hostile to her, but her husband, Franklin is pretty convinced that they have the perfect son. When Kevin commits a series of horrific crimes as a teenager, Eva is left wondering where the responsibility lies. Was it nature? Did she sense that something was deeply wrong with her son from the beginning? Is that why she was unable to form an attachment with him? Or was it nurture? Did his own mother’s distaste for him turn Kevin into a monster? Eventually she asks Kevin why he did what he did, and his answer is chilling.

41bzvplqikl-_ac_us218_6. Miss Havisham in Great Expectations by Charles Dickens– This may surprise some people since Miss Havisham is generally seen as pathetic rather than villainous. And she is a pitiable figure, refusing to change out of her wedding dress, or take the wedding decorations down after her intended leaves her at the alter. But I think that she becomes villainous some years later when she takes in beautiful  young orphan named Estella, and trains the girl from childhood to torment, manipulate and spurn men, as a revenge against the man who broke Miss Havisham’s heart years earlier. Not only is this unfair to men (who are not all responsible for her fiance’s behavior!) but it’s unfair to Estella, who misses out on friendships and healthy relationships due to her early training.

51cfd7bn2hl-_ac_us218_7. The Other Mother in Coraline by Neil Gaiman- As children, we are supposed to see our mothers as safe, nurturing, and loving (though some of the ladies on this list prove that isn’t always the case!). Coraline’s mother isn’t perfect. She’s often busy and inattentive. But she loves her daughter, and tries to help her. When Coraline stumbles upon the Other World, she discovers the Other Mother. She looks like Coraline’s real mother, but with black button eyes. During the course of the story she comes to look less and less like Coraline’s real mother as she grows taller and thinner. She’s unable to create and can only copy the real world and make her own twisted version of it. She wants someone to mother, so she collects children who she loves possessively to the point of destruction. She’s a twisted version of what we usually associate with motherhood.

51f1lrsblyl-_ac_us218_8. Frederick Clegg in The Collector by John Fowles– When Freddie Clegg wins the lottery it’s a chance to do something he’s wanted to do for a long time. He quits his job and buys an isolated house with a big cellar. He’s admired Miranda Grey for a long time, and he wants to be with her, but his social awkwardness keeps him from approaching her. So he kidnaps her instead, so that he can add her to his “collection” of pretty, preserved objects. Hopefully, after being with him for a while, she’ll grow to love him. After all, he’s fixed up the cellar for her nicely, and he treats her with “every respect.” His difficulty relating to others might make Freddie sympathetic in some circumstances. But when he chloroforms Miranda, shoves her into the back of a van, kidnaps her and holds her prisoner in his basement for an extended period of time, our sympathy starts to waver a bit. But the book is insidious in making us feel for Freddie at times anyway.

41x7kokbrol-_ac_us218_9. Henry Winter in The Secret History by Donna Tartt- Henry is a Classics student at Hampden College in Vermont. He’s a linguistic genius and probably a sociopath. When he’s blackmailed by another member of his social group (for accidentally killing a man, but it was an accident, so that’s OK) Henry’s solution is to kill his blackmailer and get his friends to help him. As the murder, and the response, tear the group apart, Henry’s sanity begins to unravel (though whether he was ever very “ravelled” is up for debate!) but his charm is probably his most disconcerting characteristic.

512sbygkbgl-_ac_us218_10. Zenia in The Robber Bride by Margaret Atwood– This  novel is a gender reversed contemporary re-imagining of the fairy tale The Robber Bridegroom, in which the title character lures women promised to him in marriage back to his house, where he eats them. Zenia isn’t a literal “man eater” in this book but she’s already destroyed the lives of three women by stealing their partners, meddling in their careers, and interfering with their lives. But perhaps the most “evil” thing she does is create a dynamic amongst these women, where they’re almost dependent on hating her. Once she is no longer a threat they seem lost.