Top Ten Tuesday: Favorite Book Quotes

For That Artsy Reader Girl’s Top Ten Tuesday:

September 29: Favorite Book Quotes (these could be quotes from books you love, or bookish quotes in general)

  1. “I am no bird; and no net ensnares me: I am a free human being with an independent will, which I now exert to leave you.” —  Jane Eyre by Charlotte Brontë

For a character who is “no bird” Jane is often associated with them in this novel. Even her name sounds like “air”. But perhaps it is a free bird, as opposed the the caged bird she calls to mind here, that one associates with Jane the most. No matter what happens she is able able to take off when she chooses. She may seek out greener pastures, or go back to battle old ghosts. I think it takes a lot of nerve for her to assert this actually. At this point in the book, nothing in her life has told her she has value. She’s “poor, obscure, plain, and little,” but she feels that she has intrinsic worth in spite of that. That’s what gives her the guts to assert herself, to take off when she feels it’s necessary, and to refuse to be ensnared.

2. “From that time on, the world was hers for the reading. She would never be lonely again, never miss the lack of intimate friends. Books became her friends and there was one for every mood.” —  A Tree Grows in Brooklyn by Betty Smith

I read A Tree Grows in Brooklyn when I was about 12 and I definitely identified very strongly with Francie. I still do, even though I’m older now. This quote is a perfect example of why. I honestly do feel like books are my friends. Some people might see that as sad, but I see it as having reliable friends who never talk back and never leave me or let me down. (I do also have some actual, human friends too!)

3. “Isn’t it nice to think that tomorrow is a new day with no mistakes in it yet?” — Anne of Green Gables by L. M. Montgomery

I’ve always had a tendency to be hard on myself. Even when I was a child, I would take myself to task for my mistakes. I first read this book when I was about nine, and right away something clicked when I read that! It was so freeing to see things that way! Even now, if I have a bad day, I try to remember that there’s always tomorrow, and there are no mistakes in it yet! It doesn’t always help, but I do try to remember it.

4. “How easy it was to lie to strangers, to create with strangers the versions of our lives we imagined.” — Americanah by Chimamanda Ngozi Adichie

This was a more recent read, and a big theme in this book is the perceptions of others vs. self perception. That really resonated with me, even independent of the rest of the book. I think that we constantly create different versions of ourselves with different people. To some extent that’s natural: we behave differently with out friends from adulthood for example, than we do with people who have know us since we were children. But it can be cultivated too. Sometimes we have a sense of how someone else sees us, and we can try to live up to it. How a stranger sees you for the first time is powerful, because it can give us the feeling of a blank slate. We can sort of create ourselves anew.

5. “All we have to decide is what to do with the time that is given us.”The Fellowship of the Ring by JRR Tolkien

This is from a conversation between Gandolf and Frodo, after Gandolf tells Frodo about the Ring. Frodo wishes that this hadn’t happened during his lifetime, and this is Gandolf’s response. They’re words that I’ve thought of a lot through the craziness of 2020. Things happen that we don’t control. But we control our response.

6. “There are few people whom I really love and still fewer of whom I think well.”Pride and Prejudice by Jane Austen

This quote stands out to me because of the distinction made between loving someone and thinking well of them. We often think of loving people as thinking of them in the highest regard. But really, we can love people and not think well of them at all. We can love people and not like them. So the distinction makes a lot of sense when you think about it.

7. “Sometimes the Bible in the hand of one man is worse than a whisky bottle in the hand of (another)” – To Kill a Mockingbird by Harper Lee

Just very true words. People can turn anything into a weapon. They can make things that are supposed to help up, things that are supposed to make us better, destructive. Is that true of everyone? No, of course not. A whisky bottle in the hands on one man may be meaningless. It might simply mean that he likes the taste of whisky and enjoys a glass of it and the end of a long day. But in the hands of another man, it could mean that he’s about to become a violent drunk. Similarly, the Bible is a book that is supposed to teach people to be kind to one another, to help each other. And one person may use it that way. But another may use it as a way to oppress others and even as a justification for it.

8. “We tell ourselves stories in order to live…We look for the sermon in the suicide, for the social or moral lesson in the murder of five. We interpret what we see, select the most workable of the multiple choices. We live entirely, especially if we are writers, by the imposition of a narrative line upon disparate images, by the “ideas” with which we have learned to freeze the shifting phantasmagoria which is our actual experience.” – The White Album by Joan Didion

I just think that this is so true. When something terrible happens, we immediately try to understand it. We try to put it into some kind of workable context. I once lost someone close to me, and I almost immediately tried to put that loss in narrative terms. I thought about how this person’s narrative arc was complete, even though he was young. I was aware that I was imposing a narrative on something that didn’t necessarily have one, but it did help a bit to think of it that way. Stories help us get through life, by escaping it, and sometimes by giving us tolerable ways to understand it.

9. “A person who has good thoughts cannot ever be ugly. You can have a wonky nose and a crooked mouth and a double chin and stick-out teeth, but if you have good thoughts they will shine out of your face like sunbeams and you will always look lovely.”The Twits by Roald Dahl

Once again a children’s book proves that it can articulate something more simply and memorably than something intended for adults. I think that this was something that I tried to convey when I wrote Beautiful. Needless to say, I definitely think it’s true. And the reverse is too. Someone might be totally gorgeous, but if they act like a jerk, sooner or later, they won’t look so appealing.

Top Ten Tuesday: Books That Make Me Hungry

For That Artsy Reader Girl’s Top Ten Tuesday:

September 1: Books that Make Me Hungry (They could have food items on the cover, foods in the title, be about foodies or have food as a main plot point… they could be cookbooks or memoirs, etc.)

I actually did a list like this a few years ago. But I took up the challenge again and came up with ten more. I must confess, I’m not much of a foodie. Oh, I like food, don’t get me wrong! Give me something I like, and I’ll eat plenty of it!. But I can by a picky, finicky eater. I don’t like to cook. And there are lots of foods I don’t like. So making me hungry is an uphill battle for a book. But here are some that have accomplished the task!

1. Charlie and the Chocolate Factory by Roald Dahl- This is sort of a no-brainer! I mean there’s a whole room made of candy! I used to fantasize about eating my way out.

2. Journey to the River Sea by Eva Ibbotson– There is a character in this who is homesick for England and it’s food. Actually, a few of the descriptions of British food, did make me a bit peckish (though a few also make me wonder what that character was thinking!). The description of some of the Brazilian foods and fruits also sounded good.

3. Akata Witch by Nnedi Okorafor– This book make me crave fried plantains! Actually it made me want to try several of the African dishes.

4. Midnight at the Blackbird Cafe by Heather Webber– A lot of the food served at the Blackbird Cafe sounds wonderful, but if I had to pick just one thing I’d want to eat, it’s the pie.

5. Crazy Rich Asians by Kevin Kwan– I pretty much craved really good Chinese food, the whole time I was reading this book.

6. The Simplicity of Cider by Amy E. Reichert– Basically any food involving apples sounds appealing when reading this book. Apple pie, tart, sauce, and cider of course.

7. Pachinko by Min Jin Lee– This doesn’t stand out in my mind for food related reasons, but at the same times of the food descriptions definitely made my stomach growl.

8. The Sugar Queen by Sarah Addison Allen- Confession: I have a terrible sweet tooth, that wasn’t helped by the sweets that the title character of this book also loves.

Top Ten Tuesday: Books About Book Lovers

For That Artsy Reader Girls’ Top Ten Tuesday:

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August 25: Questions I Would Ask My Favorite Authors (Living or dead. You can post 10 questions for one author, one question each for 10 different authors, or anything else!)

I honestly had trouble thinking of ten (interesting/intelligent) questions that I would ask out authors, so I decided to make up my own topic this week.

81hqtvxwu-l._ac_uy218_1. Matilda by Roald Dahl– For me, Matilda is sort of the OG fictional bookworm. I loved her as a child and I love her now.

81gw6tyoeul._ac_uy218_ml3_2. The Bookish Life of Nina Hill by Abbi Waxman- In a lot of ways I’m very different from Nina, but we have one thing in common: we love reading so much that it threatens to eclipse reality at times. We have to be careful to remember that there are other things worth doing too!

81hkqvsgyl._ac_uy218_3. The Starless Sea by Erin Morganstern- I feel like this book is a love letter to bookworms everywhere.  We meet many bookworms in this book; bookworms that burrow into a world far below the surface of their earth, filled with books.  But perhaps we identify the most with Zachary, a grad student who comes across a book in the university library and finds a series of clues that leave him to a secret, ancient library.

911-t2bi6l._ac_uy218_4. The Shadow of the Wind by Carlos Ruiz Zafon– Set in the aftermath of the Spanish Civil War, Daniel finds a book in the “Cemetery of Forgotten Books” (I love the idea!) but when he tried to find other works by the author, he discovers that they’re being destroyed for reasons he can’t understand. He begins a race against time to rescue them.

9123eop9gil._ac_uy218_5. The Book Thief by Markus Zusak– Nazi Germany is a bad place to be for a book lover like Liesel, who has to steal her beloved books to save them from being burned.

914bm5qdaul._ac_uy218_6. The Book of Speculation by Erika Swyler– This book is about a librarian in Long Island who is sent an antique volume, that may have some connection to his family. As he reads the tale of circus and carnival performers, he comes to believe that the book might be the key to saving his sister’s life.

71hpnqntwul._ac_uy218_ml3_7. Fangirl by Rainbow Rowell– This is a book about a girl who loves books so much that they inspire her own creativity. Cathy is a fan fiction writer who loves life on the page, whether it’s one she wrote or someone else did. But she has some difficulty figuring out life in the real world.

51gxczk1wal._ac_uy218_8. The Uncommon Reader by Alan Bennett– In this novella, Bennett imagines what might happen if the Queen of England discovered a love of literature late in life. Would she neglect her royal duties in order to pursue her new passion? And how might the people in her life react?

812qcy9xysl._ac_uy218_9. 84 Charring Cross Road by Helen Hanff- This book is a collection of letters between Helen Hanff, a New York writer, and a Frank Doel, an London bookseller. Over the course of 20 years they carry on a correspondence, and a friendship, centered on their shared love of books. It’s a beautiful example of how literature can unite different people across oceans and cultural divides.

8142jxm8m6l._ac_uy218_10. Reading Lolita in Tehran by Azar Nafisi– This memoir in books is about how the author, once a professor, gathered seven of her most committed female students in her Tehran apartment to read and discuss forbidden Western literature. As forces in the outside world seized hold of universities and censored artistic expression, these women read and discussed freely. Reading this book about book lovers committed to reading and discussing novels, made me realize just how subversive the act of reading a novel can actually be.

Top Ten Tuesday: Halloween Freebie

For That Artsy Reader Girl’s Top Ten Tuesday:

ttt-new

This week’s topic was:

October 29: Halloween Freebie

So I decided to do short stories that are perfect for the season

41yn-xblul-_ac_us218_1. Don’t Look Now by Daphne DuMaurier- This story features a lot of creepiness in under 50 pages. There’s a slow building sense of dread as a married couple, who have recently lost their daughter go on vacation in Venice and try to start anew. We have the sense early on that their misfortune isn’t over yet and we turn out to be very right. Then Venetian setting is gloomy and Gothic and the bereaved parents make sympathetic protagonists. There are several threats ranging from a serial killer to some weird psychic sisters, but the most dangerous threat may be what the protagonists can’t (or won’t) allow themselves to see.

1973 Film Adaptation 

61l1afcvhtl-_ac_us218_2. The Bloody Chamber by Angela Carter- Angela Carter is known for her feminist take on classic fairy tales. In this story she takes on one of the creepiest fairy tales out there: Bluebeard is sort of deliciously Gothic to begin with: a girl marries a man who gives her the keys to all the rooms in his grand house, and tells her not to open one door. Of course she opens it, and she finds something very disturbing in there. This story has a creepy setting (a vast, decadent mansion/castle), a nasty villain, and lots of blood.

810xurhlstl._ac_uy218_ml3_3. The Grown-Up by Gillian Flynn– This is the rare short story that was published as a stand alone. And it does stand on its own. We have a character who poses as a psychic is out to make a quick buck off a family who thinks they’re being haunted. She discovers that they are (in a sense) right, and that she may never be free of them. In some ways this is an homage to the Victorian ghost story, but Flynn gives it a contemporary twist.

 

5100vzgkz-l-_ac_us218_4. The Landlady by Roald Dahl- You can see some of the creepy villains from Dahl’s children’s stories in the title character of this short story. She’s less over the top than some of the stuff that Dahl writes for younger readers but she still makes your skin crawl in a really primal way. I read somewhere that this was Dahl’s attempt to write a ghost story but it didn’t quite come out that way. IMO that’s fine, because it’s plenty creepy as it is!

Tales of the Unexpected episode based on The Landlady from 1979

31562177._uy630_sr1200630_5. The Bus by Shirley Jackson- I almost went with “The Lottery” which is Jackson’s best known short story but I find this one more “halloweenish” (and yes, I made that word up). It’s about an older woman who gets off the bus at the wrong stop and ends up somewhere somewhat familiar but very twisted. Another story that I almost chose was “The Summer People” but that also didn’t seem quite right for Halloween. But many of Jackson’s stories are thematically suitable.

91vzvuoe0gl._ac_uy218_ml3_6. The Truth is A Cave in the Black Mountains by Neil Gaiman– This story was originally published as part of a collection and later performed before a sold out crowd at the Sydney Opera House in 2010 where Gaiman read the tale live as illustrator, Eddie Campbell’s, artwork was presented on large screens and accompanied by live music composed for the story and performed by the FourPlay String Quartet. But even if you just read the story as a story, its unsettling in its portrayal of greed and revenge. Fortunately the story is available with Campbell’s beautiful artwork.

81pnhm5odl._ac_uy218_ml3_7. The Horla by Guy de Maupassant– I read this in a college French class (it’s available in English though!) and I was really unsettled by it. It’s written as journal entries of a character who sees a boat and waves at it. The boat in question has recently arrived from Brazil and the man realizes that his wave may have inadvertently been taken as an invitation by something on that boat. As the narrator becomes obsessed with this thing that may have invaded his home, his body and his life, we begin to doubt his sanity. The fact that Maupassant was committed to a mental hospital about a week after finishing it, makes it even creepier.

1947 radio production read by Peter Lorre

 

61iuhxe9kds._ac_uy218_ml3_8. Where Are You Going, Where Have You Been by Joyce Carol Oates- This story is really creepy in a way you don’t expect. Oates said it was inspired in part by serial killer Charles Schmid, who preyed on teen girls. But the focus isn’t really on the presumptive bad guy, Arthur Friend. Rather it’s on Connie, a rebellious, self absorbed teen who knows Arthur from a local restaurant. He seems nice enough when he shows up unexpectedly at her house one day, with his friend Ellie.  In only a few pages Oates takes us from Connie’s initial flattery at Friend’s attention, to her growing unease and outright fear as she comes to believe that she has no choice but to do what Friend tells her. As a reader, we can see how Friend preys on Connie’s naivete and vanity. It’s a reminder that the most frightening monsters often comes disguised as friends (pun intended) and the most harrowing journeys often take place in a single location in only a few minutes time.

1985 Film Smooth Talk based on the story

2014 short film Dawn based on the story

Wishing a HAPPY HALLOWEEN to all!

Top Ten Tuesday: Terrifying Things in Children’s Books

For That Artsy  Reader Girl’s Top Ten Tuesday

ttt-new

This week’s topic was:

May 21: Books That I Refuse to Let Anyone Touch (too special/valuable, perhaps?) (submitted by Savannah Grace @ Scattered Scribblings)

But I don’t have any books that I won’t let anyone touch, so I decided to make up my own topic again.

  1. 51mysyx8uvl-_ac_us218_The Witches by Roald Dahl– When the witches remove their human faces to reveal their witch faces underneath. The idea of peeling off your own skin really creeped me out (still does actually!)
  2. 81c3estz50l._ac_ul436_Bunnicula: A Rabbit-Tale of Mystery by Deborah and James Howe– I remember my teacher reading this to the class in first or second grade. It’s a pretty dumb story about a vampire bunny that sucks the juice out of vegetables. I think it scared me because the teacher explained that it as based on Dracula and told us about Dracula (including the fact that the character was loosely based on Vlad the Impaler) so I had nightmares about a combination vampire bunny/Dracula sucking my blood at night…
  3. 51lvdevlnwl-_ac_us218_A Wrinkle in Time by Madeline L’Engle– An evil, disembodied brain tortures a child who can’t bounce a ball properly. That is my most vivid memory of this book. Yes apparently there’s a lot of other stuff that happens, but something about that scene stays with me. Maybe because I’m not good at bouncing balls either…
  4. 61zj9bc2qwl-_ac_us218_Outside Over There by Maurice Sendak– In some ways I actually think this books is beautiful, but as a kid the idea of a baby being abducted by goblins and replaced with an ice sculpture scared me! Actually I think the fact that it happens while his sister wasn’t looking scared me the most. I really identified with how guilty she must feel. Fortunately she gets him back.
  5. 91cnkvomqwl._ac_ul436_Mary Poppins by PL Travers– I had to google to find out which book this was, because I couldn’t remember. Actually I couldn’t remember anything about it other than the scene where Mary Poppins takes the children to a candy store and the owner, breaks off her fingers (made of candy canes) and gives them to the children to eat. Major nightmares! Thank goodness that scene didn’t make it into the movie!
  6. 81o87er7ygl._ac_ul436_Peter Pan by JM Barrie– I loved this book some of it is scary! The idea of a crocodile biting off someone’s hand always sounded painful. Also, Tinkerbell was pretty scary when you think about it. She tries to get the lost boys to kill Wendy. That’s pretty treacherous!
  7. 51y7aqds2yl-_ac_us218_Cinderella- In one version of the fairy tale (I don’t remember if it was this one) the step sisters cut off their heels and toes to try to get their feet into the slipper. That gave me some very disturbing mental images of maimed feet and slippers filled with blood.
  8. 21j21wp9j4l._ac_ul320_Sweet Valley Twins and Friends: The Christmas Ghost by Francine Pascal– I think I read this in second or third grade. I knew the story of A Christmas Carol due to Mickey’s Christmas Carol and a few other kid friendly adaptations, but something about the contemporary suburban setting felt really familiar. The ghosts in that setting really freaked me out and caused several sleepless nights!
  9. 61g8cli07xl-_ac_us218_The Monster At The End of This Book by Jon Stone and Mike Smollen- I admired Grover as a kid. When I learned that my dad didn’t have a middle name, I even granted him the moniker “Grover” to use. So if Grover was telling me there was a monster at the end of this book and I should stop reading before I got there, I was going to listen! The books stayed safely in my bookshelf until one day when my mom, intent on ignoring the wise muppet’s advice, took it out and read it to the end. I was terrified until she got there.
  10. 61yilvqhjhl-_ac_us218_A Little Princess by Frances Hodgson Burnett– Even though this is and was one of my favorites, as a kid the idea of losing a parent terrified me (well it still does…) and I think I really identified with Sara when I read this.

Top Ten Tuesday: Literary Rebels

For That Artsy Reader Girl’s Top Ten Tuesday:

ttt-new

December 11: Freebie (Make up your own topic, or use a previous TTT topic you might have missed.)

This week I decided to go with an old topic. These are some of my favorite rebellious characters in books.

1. Randal Patrick McMurphy in One Flew Over the Cuckoo’s Nest by Ken Kesey– I’ve actually started to feel differently about McMurphy in recent years. When I first read this book, I was in high school and my sympathies were 100% with McMurphy as he tried to upset the routine in a  mental hospital, rallying the patients to demand better treatment. But since I started teaching, I saw how important routine is when managing large groups- especially groups of people who are vulnerable to upset and need consistency to feel safe. I started to see Nurse Rached’s reasons for wanting to run her ward the way she does, and McMurphy’s tricks (running a card game, sneaking in prostitutes) seemed like less an admirable attempt to think outside the box and more of a dangerous upset to a vulnerable population. 

2. Offred in The Handmaid’s Tale by Margaret Atwood– It’s ironic that Offred’s rebellion against role that she’s been forced into as a woman, initially involves reading fashion magazines and sneaking cosmetics. Usually we see those things as part of the role into which out society pushes women. But when the basics of bodily autonomy are denied, when one’s clothing is no longer one’s choice and reading is forbidden, then secretly indulging in these ways of claiming your own identity are acts of rebellion. From these initial rebellions, Offered goes further, embarking on affair with a mean who also longs to escape Gilead. In doing so, Offred asserts her right to make choices about what she does with her mind and her body.  

3. Matilda Wormwood in Matilda by Roald Dahl– I love that this rebel us a five year old girl, who stands up to the adults who don’t live up to their responsibility to protect and care for her. In doing so she also “frees” her teacher, an adult who has been cowed by cruelty. Matilda is someone who has been told she’s powerless by everyone in her life, but flat out refuses to accept that. As a kid, I was very jealous of her ability to take power into her own hands!

4. Jane Eyre in Jane Eyre by Charlotte Bronte– Jane is a rebel early on, with her Aunt Reed and at Lowood. But it’s really at Thornfield that she refuses to violate her principles, even when a part of her wants to. She’s given the opportunity to spend her life with the man she loves. He’s a rich man and she’ll live a life of luxury. Yes he’s secretly already married to a crazy lady, but no one has to know that. But Jane knows, and she knows that in trying to marry her anyway, without telling her, he tried to make her into something she’s not. So she leaves, even though it breaks her heart to do so. Rebelling against your own desires is one of the hardest things to do. 

5. Scarlett O’Hara in Gone With the Wind by Margaret Mitchell– Scarlett initially seems like a perfect southern belle. And she is, until she doesn’t get what she wants! When she’s widowed a sixteen year old Scarlett refuses to live the quiet, dignified life that society dictates for her. Instead she goes dancing. And stops wearing black. And gets remarried. Her rebellions continue as she insists on living on her own terms in spite of a world that tries to dictate the terms. But she discovers that pursuing what she thinks she wants, may cost her what she truly does want. Actually I see Melanie Wilkes as a rebel too. When society turns its back on Scarlett and condemns her, Melanie remains a steadfast friend. 

41ocx2m77yl-_ac_us218_6. Raskolnikov in Crime and Punishment by Fyodor Dostoyoevsky– Sometimes rebelling against the status quo doesn’t lead characters to do “the right thing.” In this case, Raskolnikov  rebels against conventional morality by murdering a woman whom he believes the world would be better without. Regardless of his victim’s moral character, this act of rebellion has ripples that Raskolnikov never could have predicted, and he learns that sometimes when society says something (like murder) is wrong, we should just listen!

517zcqxmvll-_ac_us218_7. Valancy Stirling in The Blue Castle by LM Montgomery– Valancy isn’t a rebel initially. She’s a 29 year old spinster who lives under the thumb of her domineering family. But when a devastating medical diagnosis gives her an expiration date that’s a lot sooner than she’d like, Valancy gets the courage to rebel, to live the way that she wants to, with the person she wants to. She’s definitely not what we tend to think of when we think of rebels. But she defies her surroundings and her inhibitions to live the life that she wants. IMO that makes her a rebel. 

31mezqr7t8l-_ac_us218_8. Pamela O’Flaherty in Exit Unicorns by Cindy Brandner– Again this is a seemingly odd choice in a book that’s essentially about rebels. Other characters are more overt about leading political rebellion. But for other characters, that rebellion is something that they were born into. For Pamela isn’t not. Pamela is an Irish American. She grew up far away from any conflicts between British and Irish, Protestant and Catholic. Her rebellion started in her very choice to leave behind that distance and throw herself headfirst into the conflict. 

51zdmvpgfgl-_ac_us218_Becky Sharp in Vanity Fair by William Makepeace Thackery– A lot of critics see Becky Sharp as the inspiration for Scarlett O’Hara. Whether or not that’s true, only Margaret Mitchell can say, but Becky is a character who doesn’t have many advantages in terms of the world she was born into. She makes a place for herself in it by seeing the flaws in people- the way they see the world and the way that they see themselves- and exploiting those flaws. Vanity Fair is subtitled A Novel Without A Hero, and while that’s perhaps true, it does have a compelling, rebellious protagonist. 

519rvznz89l-_ac_us218_10. Satan in Paradise Lost by John Milton– When he announces “Better to reign in Hell, then serve in Heaven” Milton’s Satan tells us that he’s a rebel who won’t be beholden to anyone. He’s literally happy to be in the worst place imaginable, as long as he gets to do what he wants. According the William Blake, Milton (whether or not it was intentional), glamorized Satan making him an epic, almost heroic figure. “‘The reason Milton wrote in fetters when he wrote of Angels and God, and at liberty when of Devils and Hell, is because he was a true Poet and of the Devil’s party without knowing it.” So if you believe that, Milton was a bit of a rebel too. 

 

 

Top Ten Tuesday: Best Novellas and Short Stories

For That Artsy Reader Girl’s Top Ten Tuesday:

July 17: Favorite Novellas/Short Stories

515izn3gadl-_ac_us218_1. The Story of An Hour by Kate Chopin– Like Chopin’s famous novel The Awakening, this short story is an early exploration of how confining marriage could be for a woman at the turn of the century. It begins when Mrs. Mallard is informed of her husband’s death and follows her through the next hour, as she absorbs what that means for her life now.

 

51ugyhie53l-_ac_us218_2. The Lottery by Shirley Jackson– This is probably one of the more famous examples from the genre and for good reason. The more you think about what happens and the reasons for it, the more disturbing the implications become.  All the residents of a small town gather one summer morning to draw lots. Eventually, the residents are narrowed down more and more, until one is selected. What eventually becomes of the “winner” of this lottery will unsettle you.

41iob1yraol-_ac_us218_3. Hills Like White Elephants by Ernest Hemingway– I’m not usually a Hemingway fan at all, but I feel like in this case, his spare, economical style served the material well. A man and a woman are waiting at a train station. We follow their conversation over several pages and eventually we can put two and two together and understand where they’re going and why. Without any narrative commentary, the reader still gets a sense of the emotional distance between these people, and the tension comes from what they’re not saying.

61g-wucnurl-_ac_us218_4. The Garden Party by Katherine Mansfield- This poignant story deals with a wealthy family preparing for a garden party. When they receive the news that their neighbor has died, the daughter Laura wants to call off the party. She’s overruled by the rest of the family. But when Laura is sent to bring some flowers to the dead man’s grieving family, she’s forever changed by what she encounters. To me, it’s a perfect example of what makes the short story special. It covers what is really a tiny piece of the character’s life (only a few hours), but also a time that will change her in a profound way.

61l1afcvhtl-_ac_us218_5. The Bloody Chamber by Angela Carter- The title story in Carter’s collection of retold fairy tales, this story explores the classic fairy tale, Bluebeard, in which a girl marries an older man and is taken to his castle, where she’s given the keys to all the rooms and is told that she can’t open one room. Of course, she does open it and discovers the bloody corpses of her husband’s previous wives. Carter’s retelling explores themes that are prevalent throughout her work, but most particularly her fairy tale retellings. These themes include sexuality and maternal instinct.

31g7ovvubul-_ac_us218_6. Shopgirl by Steve Martin– This novella by Steve Martin (yes, that Steven Martin) focuses on Mirabelle, a department store salesgirl in her late 20s who becomes involved with an older man. But it’s not the typical older man/younger woman misogynistic fantasy that you’d expect from an older male author. The focus of the novel remains on largely on Mirabelle throughout; her loneliness, her frustrations, and the reasons that she becomes involved in this relationship. It’s funny and poignant at the same time.

51ktieauzl-_ac_us218_7. The Light in the Piazza by Elizabeth Spencer–  Margaret Johnson, a wealthy woman from North Carolina, travels to Florence with her daughter Clara in 1953. Margaret’s husband, Roy, stays home to work. In Florence, Clara meets Fabrizio Nacarelli, a young man with whom she falls in love. Clara isn’t quite as she first appears, which may be a barrier to her future with Fabrizio.  Margaret hates the thought of her daughter suffering the pain of love gone wrong. But she is not able to express her concerns to Fabrizio or his family due to the language barrier.  Or so she thinks. As Clara and Fabrizio’s relationship progresses Margaret realizes that while she’s afraid of what will happen if Clara’s secret is discovered, her fear may be overruled by her hope for Clara’s happiness. These dual maternal instincts tear at her, as she tries to figure out what is in her daughter’s best interests.

51q4ceca-kl-_ac_us218_8. On Chesil Beach by Ian McEwan– In 1962, Florence and Edward fall in love and get married.  Both are virgins. While Edward is nervous about his wedding night, he is nonetheless looking forward to marriage. Florence, on the other hand, is terrified by the little she knows is involved in sexual intimacy. Because they’re both young and unsure, they navigate this tension in a clumsy way. But the words they don’t say, and the gestures they fail to make, may ultimately be what determines the fate of their marriage and the course of their lives. The narration runs parallel to the conflict. What isn’t explicitly said about the characters is implied. And those are the things that may make all the difference. This book caused some controversy in 2007 when it was nominated for the Booker Prize. At less than 40,000 words, it’s technically a novella, but it was allowed onto the shortlist of novels by the panel.

41srw9zyjrl-_ac_us218_9. The Ones Who Walk Away From Omelas by Ursula K. LeGuin– Omelas is a utopian city where all the residents live in peace and prosperity. As our unnamed narrator describes it, it seems too good to be true. In order to convince the reader that it is true, the narrator begins to speak of the price that is paid for the city’s happiness. It’s a price that’s initially horrifying to the residents once they learn of it. But most make their peace with it, knowing that it’s for the greater good. But some people aren’t able to accept it and end up leaving Omelas. The unasked question for the reader is, of course, “which would you be?” Would you live in paradise knowing that somewhere, an unseen injustice takes place all the time to keep you there? Or would you leave?

5100vzgkz-l-_ac_us218_10.  The Landlady by Roald Dahl– Billy Weaver is a young man traveling from London to Bath on business. He stops overnight at a bed and breakfast. The landlady is an older woman whom Billy initially suspects might be a little senile.  When he goes to sign the guestbook he sees that two of the previous lodgers have names that seem familiar to him but he can’t quite place. The landlady gives him some tea and they chat a bit. Nothing that happens seems ominous but the feeling that something is “off” pervades the story. When the truth about the B&B is revealed the reader will go back and look through the story trying to spot the clues.

Top Ten Tuesday: Page To Screen Adaptations

For That Artsy Reader Girl’s Top Ten Tuesday:

July 10: Best Books I’ve Read In 2018 (So Far) (This prompt was originally going to be a TTT throwback, but I know how much people love the bi-annual top ten books of the year and I forgot to add it to the list! Feel free to do a throwback instead if you want!)

Since I did a mid-year book post not too long ago, I figured I’d do a throwback this week.  I went with the Top Ten Book To Movie Adaptations.  But since I’m including TV/miniseries I’m just going with “page to screen”.

1. Pride and Prejudice (BBC 1995) I know that the 2005 film has its fans, and it has its good points. But for me, Colin Firth is Darcy. Jennifer Ehle is Elizabeth. That’s just all there is to it. Perfect casting. Beautiful adaptation.

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2. Jane Eyre (BBC 2006) There are several great adaptations of Jane Eyre, but I’ve always been partial to this one because it’s got a spirit of fun to it. Yes, Ruth Wilson and Toby Stephens are probably better looking than the Jane and Mr. Rochester described in the book might be,  but they seem to love their characters. I read a review once saying this didn’t add any new colors to the story but it brought all of the existing colors to their full glory (or something along those lines). To me that says it pretty well.

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3. Little Women (1994) I think I saw this film for the first time not too long after I first read the novel. Maybe that’s why these actors seem fused to their characters. Or maybe it’s just really well cast! The film adds some outright feminism and political commentary that doesn’t feel extraneous at all. It also manages the tough plot points well. For example, whenever I watch it, I want to see Jo end up with Professor Bhaer rather than Laurie. And it doesn’t even bother me much when Amy is played by a different actress halfway through.

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4. Anne of Green Gables (1985 miniseries) I’ve seen a few screen Annes (including the most recent “Anne With An ‘E'”) but to me, none of them have approached Megan Follows, who just is Anne to me.  This is another example of something I saw for the first time around the same time that I read the book, which may explain why it’s so definitive for me. I also just really like Jonathan Crombie as Gilbert.

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5. Gone With the Wind (1939) It’s almost impossible to picture Scarlett O’Hara as anyone other than Vivian Leigh. Likewise, it’s hard to picture Rhett Butler not looking like Clark Gable. And yes, occasionally I picture the antebellum American South in something like old Hollywood technicolor, though I’m aware that plantation life was hardly as pretty as the film makes it look. Perhaps its a testament to a good film that I can forget about the ugly reality for a few hours as I watch it, and believe in the fantasy.

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6. Rebecca (1940) This is an example of a film that changes some important plot points from its source material but still works as an adaptation because it maintains the mood and atmosphere of the book. Hitchcock made a wise move refusing to cast Vivian Leigh as the unnamed narrator. The same qualities that made her perfect for Scarlett O’Hara would have made her all wrong for this role. Also, whoever cast Judith Anderson as Mrs. Danvers really knew what they were doing!

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7. The Age of Innocence (1993) I felt like the narration of this film did it a great service, which is rare, because in many films I find the device overbearing. We see the characters go about their lives, but in the book the weight of social norms and expectations as they did this was tremendous. In the film, we might not even be aware of this if not for the narration that lets us know about it at important points. It could have been done in a clunky way, but it wasn’t. For the most part, it works.

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8. The Princess Bride (1987) This is an example of an adaptation that could have gone all wrong. William Goldman’s novel indulged in tropes that it simultaneously satirized. That’s the kind of thing that is really hard to translate to screen.  It’s done just right. Instead of presenting it as an abridgment of the novel by S. Morgenstern with “commentary” from Goldman, we’re given a frame story of a grandfather reading the book to his sick grandson. It might not have translated at all, but it does.

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9. Matilda (1996) This film relocates the action of Roald Dahl’s tale from the UK to the US. Usually, that’s not a move that I’m a fan of with adaptations. But in this case, it doesn’t hurt the material. Casting wise, Mara Wilson was a lovely Matilda. The character needs to come off as smart and sweet without crossing too far into the precocious and annoying territory. Wilson finds just the right balance. Danny DeVito and Rhea Perlman are just the right amount of loathsome as the Wormwoods.

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10. Bleak House (BBC 2005) I never thought a story about a legal battle over an estate would capture my interest, but Charles Dickens pulled it off in this book. I didn’t think a book with so many plotlines and characters could be done well as a TV miniseries, but this miniseries proved that wrong too. Most of the plotlines do make it into the series, and the ones that were omitted were the right ones. Plus it’s hard to go wrong with a cast that includes Gillian Anderson, Charles Dance, Carey Mulligan, Alun Armstrong, Anna Maxwell Martin and Denis Lawson.

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What do you think? Did I miss any?

Top Ten Tuesday: Characters With Whom I’ve Identified

For That Artsy Reader Girl’s Top Ten Tuesday:

April 3: Characters I liked That Were In Non-Favorite/Disliked Books

I wasn’t really feeling this topic, because usually if I don’t like a book I don’t like/relate to/identify with the characters.  So I just decided to look at characters with whom I’ve identified over the course of my life. I think that my ability to identify with the characters that I read about is one reason I fell in love with reading in the first place. These are some characters that I’ve seen a bit of myself in:

51dxbewzuil-_ac_us218_1. Anne Shirley from LM Montgomery’s Anne series- I’ve posted about my love for Anne before. She was imaginative, creative, she spoke her mind and tried to make the best of bad situations. Yes, she sometimes made mistakes and accidentally dyed her hair green, or got her friends drunk, but who hasn’t?

 

 

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2. Emily Starr from LM Montgomery’s Emily series- I relate to Emily in a different way from Anne. In some ways, I think I have more in common with her as I grow up. She’s a writer. Like Anne, she tries to look on the bright side, but she needs the support of fiction to help her. In that way, I’m similar.

 

 

51srrilel-_ac_us218_3. Jo March from Louisa May Alcott’s Little Women– I think most readers of Little Women identify strongly with Jo. I do identify with the other March girls in different ways at different points, but Jo was the one with whom I identified on the most consistent basis. Even when she made decisions that weren’t popular with other readers (like turning down Laurie) I always understood where she was coming from and why.

 

51fm3ylbgvl-_ac_us218_4. Francie Nolan from Betty Smith’s A Tree Grows in Brooklyn– I think I was about thirteen when I first “met” Francie Nolan. She and I had a lot in common. Our names were practically the same. For Francie “the world was hers for the reading” and I could relate to that sentiment. Francie was sensitive and creative in a world that often seemed harsh and brutal. In retrospect, my life was far less harsh than hers was, but I related regardless.

 

51k3i-j1fl-_ac_us218_5. Jane Eyre from Charlotte Bronte’s Jane Eyre– Unlike Jane, I’m not “poor, obscure, plain and little.” Yes, a few of those words could apply to me at different points in my life, but it’s not generally how I see myself. In spite of her words, I don’t think that’s how Jane sees herself either. Regardless of the value (or lack thereof) on which society places her, Jane is always secure in her own self-worth. That’s always been a quality to which I aspire.

 

51igzsbi-ul-_ac_us218_6. Matilda Wormwood from Roald Dahl’s Matilda– Matilda was always a sort of superhero to me. She was lonely, unappreciated, and frightened, and I’ve certainly felt that way at times. But she was also a fighter with a keen sense of justice, a genius IQ and the ability to defy the laws of physics using only her mind. How can you not love a girl like that!?

 

51egwhdscl-_ac_us218_7. Cassandra Mortmain from Dodie Smith’s I Capture the Castle– Cassandra is one of those characters that I carry with me as I read other things. I’ll see another character’s actions and think “Cassandra wouldn’t have made that mistake,” or “Cassandra would do that better.” That’s not to say Cassandra had everything in her life together. Far from it, she was just as confused as anyone else much of the time, but her ability to record everything in her journal gave her a chance to give thought to those moments that most people let pass and forget about.

61wniu1hbzl-_ac_us218_8. Ramona Quimby from Beverley Cleary’s Ramona series- Ramona spoke to the part of me that I often wished I could let free. She wasn’t afraid to be annoying occasionally because she understood that sometimes it’s the only way that you can be heard. She wasn’t afraid to get messy if it looked like fun. I’ve always been a “good girl,” that’s just who I am naturally, but Ramona let my inner rebel run free.

 

61yilvqhjhl-_ac_us218_9.  Sara Crewe from A Little Princess by Frances Hodgson Burnett- Like me, Sara was addicted to stories. Thankfully I never suffered anything as traumatic as Sara did when I was a child, but I think that much like her, I’ve used imagination and stories as a way of coping with bad times. I also hope that I have some qualities that she shows in this book: resilience, generosity, kindness…

 

51jb19dy-ul-_ac_us218_10. Bridget Jones from Bridget Jones’ Diary by Helen Fielding- This is one character who I hope that I’m not too much like. She’s too ridiculous for me to want that! But she also represents the parts of me that are just trying to keep all the different areas of life together. She’s the part that knows that some days just call for chocolate and that sometimes you need to sing into your hairbrush, loudly and off-key.

Top Ten Tuesday: Best Book Quotes

For That Artsy Reader Girl’s Top Ten Tuesday

March 6: Favorite Book Quotes

I don’t know if this list is 100% accurate. But these were the top ten that I thought of.

51hq1svllxl-_ac_us218_1. “The person, be it gentleman or lady, who has not pleasure in a good novel, must be intolerably stupid.”

-From Northanger Abbey by Jane Austen

Because some things are just so true.

 

 

51z5jz2frjl-_ac_us218_2. “The moment you doubt whether you can fly, you cease forever to be able to do it.” —From Peter Pan by JM Barrie

I think this applies to a lot more than just flying. It’s really about taking risks. If we stop and think about all the things that could go wrong, we’d never do anything. Sometimes you have to just put all that out of your mind, and take a (metaphorical) leap.

 

51qphks8hyl-_ac_us218_3“…. my mother gave me a brown paper bag which I filled with caught butterflies so that by the time we were ready to go and the sun was ready to set in that Florentine filmy amber it gets down there at about 6 in the summer, I had caught a lot.

I’d wait until the car was all paced and we were just driving off and then I’d open the window, tear the bag quickly and watch the silent explosion of color fly out. “I’ll always remember this,” I thought, “forever.”

Then we’d go home and eat dinner I suppose, I don’t really remember.”

-From Eve’s Hollywood by Eve Babitz

I just read this book recently, and I marked this passage because it really stood out to me. I think that the language shows just how vivid the memory of the butterflies is, compared to whatever happened afterward. It’s how I often remember childhood. Certain memories are very clear, and others just fade away.

51aznmcwg9l-_ac_us218_4. “We tell ourselves stories in order to live…We look for the sermon in the suicide, for the social or moral lesson in the murder of five. We interpret what we see, select the most workable of the multiple choices.”

I think that this is very true. It is for me, at least. When terrible things happen I have this need to impose some sort of narrative as a way to give them meaning. If I can’t see the meaning at the moment, it just means that the story’s arc isn’t complete yet.

51-np75sehl-_ac_ul320_sr218320_5. “Isn’t it nice to think that tomorrow is a new day with no mistakes in it yet?” – From Anne of Green Gables by LM Montgomery

 This is something that I try to think about. Often I’ll wake up in the morning and still be mad at myself for some mistake I made yesterday. I think it’s healthy for me to try to remember Anne’s words and regard each day as a fresh start.
51iyq4ny4ol-_ac_us218_6. “A person who has good thoughts cannot ever be ugly. You can have a wonky nose and a crooked mouth and a double chin and stick-out teeth, but if you have good thoughts they will shine out of your face like sunbeams and you will always look lovely.”

-From The Twits by Roald Dahl

In my experience this is true. That’s not to say that a kind person who isn’t conventionally attractive will start to look like a movie star to me, but I notice the less attractive elements far less. Likewise, if someone isn’t very nice, then no matter how beautiful they may be, after a while I won’t see them that way.

 

51fkpmqzdyl-_ac_us218_7. “I am no bird; and no net ensnares me: I am a free human being with an independent will.” -From Jane Eyre by Charlotte Bronte

Something about Jane Eyre when she gets going, makes me want to scream “you go, girl!” I mean she’s not a character who you would expect to be able to assert herself that way or have that kind of self-confidence. It’s the Victorian era where women weren’t regarded as people in their own right. Jane less so than most, because she’s “poor, obscure, plain, and little.” She’s got no financial advantages, no connections in the right places, but she’s still able to stand up for herself and demand respect.

 

61ugxeeqibl-_ac_us218_8. “What I’m not sure about, is if our lives have been so different from the lives of the people we save. We all complete. Maybe none of us really understand what we’ve lived through, or feel we’ve had enough time.” -From Never Let Me Go by Kazuo Ishiguro

 

I think that ultimately this speaks to how privilege matters and how little it really means. One person may be regarded as better or “more” than another, and that brings real advantages. But ultimately, we’re all just feeling our way around the world. We all have limited understanding, and we all want something more.

51qe5e8fmtl-_ac_us160_9. “I tried on Claire’s double strand of pearls in the mirror, ran the smooth, lustrous beads through my fingers, touched the coral rose of the clasp. The pearls weren’t really white, they were a warm oyster beige, with little knots in between so if they broke, you only lost one. I wished my life could be like that, knotted up so that even if something broke, the whole thing wouldn’t come apart.” – From White Oleander by Janet Fitch

The necklace with the knotted pearls is a great image and it definitely seems to serve the metaphor for one’s life. To me, it seems that when something goes wrong in my life, it can be like a chain reaction. My attention goes to whatever went wrong, and then because I wasn’t paying attention to something else, that goes wrong. Obviously, it’s easier to knot beads than it is to compartmentalize in the same way.

51vp6vchi4l-_ac_us218_10. “He had looked at Jude, then, and had felt that same sensation he sometimes did when he thought, really thought of Jude and what his life had been: a sadness, he might have called it, but it wasn’t a pitying sadness; it was a larger sadness, one that seemed to encompass all the poor striving people, the billions he didn’t know, all living their lives, a sadness that mingled with a wonder and awe at how hard humans everywhere tried to live, even when their days were so very difficult, even when their circumstances were so wretched. Life is so sad, he would think in those moments. It’s so sad, and yet we all do it.” -From A Little Life by Hanya Yanagihara

I think that this is a beautiful expression of the human condition really. Life is tough. Everyone has struggles and problems. But we all keep pushing through regardless. It can be seen as sad, yes. But I think also beautiful.